Is a vinyl rig only worth it for oldies?


I have always been curious about vinyl and its touted superiority over digital, so I decided to try it for myself. Over the course of the past several years I bought a few turntables, phono stages, and a bunch of new albums. They sounded fine I thought, but didn't stomp all over digital like some would tend to believe.

It wasn't until I popped on some old disk that I picked up used from a garage sale somewhere that I heard what vinyl was really about: it was the smoothest, most organic, and 3d sound that ever came out of my speakers. I had never heard anything quite like it. All of the digital I had, no matter how high the resolution, did not really come close to approaching that type of sound.

Out of the handful of albums I have from the 70s-80s, most of them have this type of sound. Problem is, most of my music and preferences are new releases (not necessarily in an audiophile genre) or stuff from the past decade and these albums sounded like music from a CD player but with the added noise, pops, clicks, higher price, and inconveniences inherent with vinyl. Of all the new albums I bought recently, only two sounded like they were mastered in the analog domain.

It seems that almost anything released after the 2000's (except audiophile reissues) sounded like music from a CD player of some sort, only worse due to the added noise making the CD version superior. I have experienced this on a variety of turntables, and this was even true in a friend's setup with a high end TT/cart.

So my question is, is vinyl only good for older pre-80s music when mastering was still analog and not all digital?
solman989
It does not matter the master tape. You will find the LP to be the truer playback. If you spend some time in a recording studio you run into these comparisons all the time.

For example, we always record analog with a 24-bit digital backup. The analog tape of course sounds a lot better regardless of the digital recording means. What is interesting though is that the production LP made from the analog tape *also* sounds better than the digital master! If we cut the LP from a digital master it takes on many of the qualities of the CD, although the LP will usually still sound better even though they have the same digital master tape.

If you have ever produced a CD, the biggest degradation occurs between the master tape and the production CD. There is less degradation with the LP. So it should be no surprise that the LP can sound better even though the master tape is digital!

Digital just can't win in its present state. I am hopeful that it will get there, but mostly what I see from digital is a dive to the bottom- mp3s being a great example. But before that the WAV files were a pretty good example too.

IOW, the LP is truer to the recording in all cases.
Isn't the assumption that "sounds better" which is totally subjective is not the same as "more accurate" to the recording in this case?

I think it has been acknowledged that something can sound better and not necessarily be more accurate.

Also specific ideal test scenarios, whatever the outcome, do not determine what occurs in the real world. They are interesting from an R&D perspective but until that is translated into a viable commercial product, it may not matter to most.
In this case, by 'sounds better' I mean that how it sounds with respect to the master tape. For example I hear LP bass sounding very much the same.

Raul was suggesting that the sound of the LP is distorted compared to an analog tape and that is not the case. Further, he was suggesting that the sound of a digital copy of a digital master is less distorted than that of the LP, also not the case.

What is perhaps not understood is that the LP media is one of the lowest distortion and widest bandwidth media ever devised. If there is distortion, its an artifact of playback and as such if done right can be quite low- low enough that the distortion is not audible. There is no way you can do this with digital!

A simple test for anyone with a digital recorder is to record and play back sine wave sweep tones. You will be amazed at what you hear- the distortion digital has can be profound, easily heard, but unlike analog it tends to be related to the scan frequency rather than the musical tones recorded (in case you are curious what you hear, in the digital playback of the sweep tone you will also hear 'birdies', sets of modulation tones that change frequency as the fundamental changes). The distortion is easily heard even if the sweep tones are kept at a low level.

It is these distortions that contribute the brightness many perceive in the digital sound. I've pointed this distortion out to a number of pro-digital 'digi-phile' types in the past that have discounted it as a product of cheap converters, but oddly enough after 20 years (when I first heard it) its still with us. A lot has happened in the digital world since then but getting rid of distortion is not one of them.
Atmasphere,

I hear what your saying but of course the counter argument is that a test signal is not music so alone it does not completely address the problem.

I suspect there are other tests that can be done where digital would measure better.

There is seldom only one way to skin a cat. That's why that saying sticks! Audio and technology in general is no exception.

Plus, the OP is asking what is worth it or not, so lets assume the two formats do not have the same strengths and weaknesses which is a safe assumption and focus on what is really worth it or not.
Its amazing that some out here holding them selfs to be experts can be exposed to have so little understanding of analog. I am not talking about Atmasphere!