Lyra Kleos: tracking force/VTA/azimuth questions


I just bought a Lyra Kleos and I'm mounting it on a VPI JMW 12.7 (HRX turntable). I've done a bit of research, including Jonathan Carr's many posts here), so I know VTF is critical. I've done a trial set up to Lyra specs, and it doesn't sound right - piano in particular is distorted as if the cartridge is approaching break-up. I suspect the way I've set VTF. VPI recommends measuring VTF at the level of the record, which is impossible with the electronic scale I currently use - I simply put it on the platter and took readings, after first calibrating the scale, of course, and left it at 1.75 g. VPI says that simply measuring tracking force that way will under-represent actual VTF at the level of the record by a substantial amount because of the height of the gauge over the platter. Could that be the source of the problem I'm hearing? With other carts, I've done a couple of tests that seem to verify VPI's advice, so I plan to carefully measure the plinth to platter-top height, remove the platter, and build a temporary platform lower by exactly the thickness of the scale's pan. I'll put the scale on that, and then set VTF to Lyra's specs. This will result in VTF at the level of the record measuring correctly, when I put the scale on the mock-up platter, but NOT when I just slap the scale on the platter - it will measure higher. So my question is: does anyone see any potential problems flowing from my use of this process? I plan first to set VTA slightly tail high to approximate the magic 92 degrees SRA that seems to be the consensus of opinion these days.

Also, I'd like a bit of advice on using a fozgometer to measure azimuth. In my trial set up, I've never been able to get exactly the same readings left vs. right channel with the Foz; the best is a two-division difference, right higher in level than the left. I also get a one division reading, rather than zero, on the channel balance test, with both channel lights very faintly lit. Could this be a function of insufficient tracking force, or is there something else at play?

Thanks to any and all who might feel the spirit to respond (hopefully including you, Mr. Carr).
zachteich
Hey guys. I own a Classic. If you check my threads, I also exerienced setup nightmares with a number of carties. I ultimately settled on a DV 20X2 and a VPI Zephyr. Whenever I switch them out, e.g., for a retip, I can do the set up of the other in my sleep.

My point is that at least with the DV and Zephyr, the set up is easy and adjustments not that super critical. Maybe a call to Mike at VPI would be in order.

I appreciate that careful adjustments may make an otherwise compatible carty sound better in "tweak" increments, but to go from mistracking to "singing" with tiny tweaks just doesn't sound right. As I said, I'd give Mike a call.

Good luck.
I have the classic 3 and use the VTA tower to get the correct height for VTF calibration. Set VTA tower for the record. For my electronic scale 5 revolutions on the VTA Tower CCW increasing pivot height results in same geometry with my scale as the record. I use a very accurate ruler to determine that I needed the 5 revolutions. Just to give you an idea. If I set my VTF using my scale on the platter without adding those 5 revolutions then a 1.95 gram setting will really be 1.78 grams on the record. Just figure the difference in height between your record and scale in terms of VTA tower rotations and you are set.
I use a MyWeigh digial scale that's nearly half an inch thick. To set VTF at the record surface, I made a little jig by hacksawing a 2-in. and a 5-in. piece from a plastic ruler, drilling a hole at one end of each piece, and connecting them in an L-shape with the shorter piece standing off from the longer piece by the thickness of the scale. It's easy to do with a nylon bolt, washers, and nuts. I used plastic and nylon because they're light and free from any magnetic interaction with the cartridge. The jig is rigid and adjustable and only costs a buck or two. Then just place it on the scale so the short piece of the L hangs off the record at its level; place a counterweight atop the other end to keep it from lifting off the scale when the cartridge is lowered; tare its weight to zero; and drop the needle onto the little plastic platform.
...to go from mistracking to "singing" with tiny tweaks just doesn't sound right."
I've no experience with the Kleos, 20X2 or Zephyr, but I assure you that with many cartridges the difference between mistracking and singing is indeed just a tweak or two away. Many cartridges (though certainly not all) play best quite close to their mistracking point. The way to optimize such cartridges is to find that point and tweak from there. Not sure why that "doesn't sound right" where you are, but I assure you it sounds just fine here! ;)

Make a weighing step as Doug suggested.
I made one similar to Wally Malewicz's with a small plastic ruler and a nylon bolt/nuts so that it can be finely adjusted. Others have used a piece of folded credit card.
Wallyscale copy

I'd be surprised if your VTF was anywhere close if you're using a scale on top of the platter. With my previous Graham 1.5T I could get changes of tenths of a gram when adjusting VTF! This is a known issue with stable balance unipivots.