Hi Glai and hopefully (JCarr),
I have a Kleos and would like some help with the azimuth. I too use a fozgometer and my Kleos is registering 22db seperation in both channels. That is the highest it will go. I am fairly sure that the azimuth is near spot on, as I can see the stylus (using a 200x microscope) sitting perpendicular to the record surface. I use the fozgometer to fine tune the azimuth, then use my ear to fine fine (that would be double fine) tune the azimuth. So, I wonder why am I getting only 22db of seperation vs. your 30db.
Regarding anti-skate, I wholey subscribe to using your ear to set anti-skate. The correct anti-skate can make a world of difference. The technique described by Glai is correct. Try to use a record with choral music that spans full left to right. The voices in both channels must be equally vibrant with proper hall/room acoustics (reverb) in both channels.
Please let me know your thoughts on the azimuth question.
Pat
I have a Kleos and would like some help with the azimuth. I too use a fozgometer and my Kleos is registering 22db seperation in both channels. That is the highest it will go. I am fairly sure that the azimuth is near spot on, as I can see the stylus (using a 200x microscope) sitting perpendicular to the record surface. I use the fozgometer to fine tune the azimuth, then use my ear to fine fine (that would be double fine) tune the azimuth. So, I wonder why am I getting only 22db of seperation vs. your 30db.
Regarding anti-skate, I wholey subscribe to using your ear to set anti-skate. The correct anti-skate can make a world of difference. The technique described by Glai is correct. Try to use a record with choral music that spans full left to right. The voices in both channels must be equally vibrant with proper hall/room acoustics (reverb) in both channels.
Please let me know your thoughts on the azimuth question.
Pat