Act- it should literally read 'it blows,' given the air bearing and pump. Love the arm, hate the pump, which spits oil, sends nasty electrical zaps when it cycles and involves mechanical skills that have little to do with audio- only a Slovenian turntable designer would consider using a pump made in Italy. Remember that joke about heaven and hell, where the British are the cooks, the Italians are the administrators...etc.
You may be right that even an inexpensive package is enough to get the magic of vinyl. My perspective comes from having some records that i have owned since i bought them, new, in the 1960's and played them over the different systems I have owned since then. The amount of information in those grooves never ceases to amaze me. Extracting that information is another matter and the differences in what an ok turntable and a really good turntable can deliver are profound. I wasn't even beginning to suggest that the OP consider a top of the pile table to start but.... bear with me here:
having had a few good to excellent tables (the original Well Tempered, which was 'good' especially back in 1990 or so) and the Kuzma Reference (which was, and still is excellent), I was totally unprepared for what a real state of the art table (the current table I'm using) can deliver in terms of information and utter blackness/depth. So, working backwards, I'd place an enormous amount of importance on getting the best table possible. Not 10k dollars, but 5 or 6k? Granted, that's not a budget table, just the direction of my thinking.
Thanks for the kind words re the current system. You are welcome to visit if you are near NYC. I plan to break the system down as soon as this house is sold, and relocate to Austin, which is a whole other story....
Appreciate the tenor of your response, which was in the same spirit as my comments.
Best,
bill hart