Actusreus, The only way the offset would not move when adjusting VTA up or down is if the tonearm post was curved. Lets use your fork as an example. If you lift your fork without moving the front at all it will trace an arc in the air. Turn the fork on it's side and put it on a piece of paper. If you attached a pencil to the end and rotated it keeping the tongs centered, it will trace an arc. Unless the tonearm post can trace that same arc it will effect overhang when adjusted.
VTA and HTA overhang
I was adjusting VTA on my tonearm tonight and out of curiosity decided to check how it effected the overhang according to my MINT LP protractor. To my surprise, very small changes to VTA on my 12" arm are quite noticeable when trying to align my stylus to the arc on my alignment protractor.
My question is to all of you who change VTA for each LP. How do you compensate or adjust for the resulting change in Horizontal Tracking Angle (HTA) or overhang each time you change your VTA setting?
Besides the hassle of adjusting VTA for different LPs, this is another reason I don't fuss with VTA once I have found a good setting for the majority of my LPs. I wonder if those who attribute sonic differences to VTA changes are not also hearing slight changes to alignment which surely effects the sonics.
My question is to all of you who change VTA for each LP. How do you compensate or adjust for the resulting change in Horizontal Tracking Angle (HTA) or overhang each time you change your VTA setting?
Besides the hassle of adjusting VTA for different LPs, this is another reason I don't fuss with VTA once I have found a good setting for the majority of my LPs. I wonder if those who attribute sonic differences to VTA changes are not also hearing slight changes to alignment which surely effects the sonics.
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- 35 posts total
- 35 posts total