Setting Azimuth


Details:
VPI Scoutmaster
JMW 9 standard tonearm
Soundsmith Zephyr cartridge band new
Using a Fozgometer and Hi Fi News Test LP both also brand new
I'm measuring at the interconnects off the turntable.
I cannot seem to achieve a proper azimuth that will give even channel balance. The only adjustment on this tonearm is the counterweight which is weighted a the bottom so turning it side to side should effect azimuth. Only extreme changes are affecting channel balance. I changed the interconnects in case they were causing the problem, but I get the same results. The right channel is a few decibels louder no matter what I do to the azimuth unless I make an extreme adjustment which has the tonearm cocked to one side and obviously this is not correct.
arnold_layne
Dear Brian,
Doug Deacon and I agree: Azimuth does not have much effect on channel balance. But I am just a shlub. Don't take my word for it, although I did experiment with this just to prove to myself that it is true. Using the suitable test track and my Signet Cartridge Analyzer, I was able to demonstrate to myself that changing azimuth from one extreme to the other, using my Triplanar tonearm which has easily adjustable azimuth, had a less than 2 db effect on channel balance, and to get that much difference, you have to go to ridiculous extremes with the azimuth setting, as much as 10 or 20 degrees off the vertical. Also, if you go to Vinyl Asylum and search the archives, you will find white papers on azimuth by both Victor Khomenko (chief engineer at BAT) and by Brian Kearns; these make similar statements vis a vis channel balance. Those two treatises plus the experiment I personally conducted are the bases for my statement. Please tell me why you disagree, with some supporting data or a reference, if possible. I am willing to be proven wrong, but not by a mere assertion from you.

By the way, it would seem that the OP's own results support my thesis. He admits that he made large changes in azimuth, and it had little to no effect on channel balance. For this he blames the Fozgometer. My point is that he should not have expected azimuth to affect channel balance. Thus the Fozgometer may not be defective at all. I think this is Doug's point, too.
Ok, I get that azimuth has to do with proper phase; the needle sits between the walls of the groove equally. How does one adjust channel balance? I would think if the right channel is louder than the left by a few decibels, this results in the the sound stage shifting to the right. This is my first attempt at trying to get accurate alignment. Before I would line up the cartridge and forget about it. But since investing in a $1000 cartridge, I feel it worthwhile to check all the settings and make sure it's aligned properly.
"How does one adjust channel balance?" When all else fails, you need a classic balance control on your preamp/linestage. Modern equipment frequently omits such a control. The two channels may be different in output for any one of a number of reasons. All you have to do is think about the signal chain. Anything in the chain where gain is added to the signal could be creating the imbalance you perceive. Starting with the cartridge itself. Then we have the phono section and the linestage, if you are using two boxes. But even one-box preamps have a phono stage feeding a hi-level or linestage. Both sections add gain to the signal, so either could be at fault. If you have tube gear, it would be a simple matter to swap tubes between L and R channels, and see whether the problem follows the tube swap. If tube swapping does not reveal that the problem resides in either the phono section of the linestage, then one has to blame the cartridge.
Actusreus....nope...making those arm adjustments are not that difficult at all. There is a weight IN the rear of the arm adjustable with a large Allen wrench to make the arm lighter unscrew the weight a bit..to make it heavier, screw the weight in a bit. From the factory, the weight is totally in, so before you start, just unscrew the weight a bit. The counterweight can be forced around the arm tube without damage. The tightening screw captures a plastic piece, so its friction controlled. With the counterweight firm, just rotate the weight while holding the arm headshell. This is not a difficult proceedure,
I agree with Lew,
Apart from the reasons given.......the room itself can often give 'unbalanced' sound to the channels?
My left speaker fires into the room with a lofty angled ceiling over whilst the right-hand speaker has a flat ceiling.
The left channel generally sounds louder with almost all my cartridges even when I sit off-centre closer to the right?
I also used to fuss about this but now I simply set my channel balance 2 dB higher on the right.
Why do you think most amplifiers have this facility?
Relax and enjoy :^)