Wave Kinetics NVS Turntable - Stereophile Review


For all owners, there is a good review in this month's stereophile - table reviewed with the Telos arm and with a Kuzma 4Point. Framer gives the nod to his Caliburn but a close call.
vicks7
IMHO MF Caliburn early unit or not has no single excuse about speed accuracy/stability for those 140K+ dollars!!!!!

and he writed what for me has no common sense coming from a " pro " reviewer: " that due to of-centered LP spindle hole the accuracy on speed is not so important ( something like this. )..." How any one but MF could speaks in that way?

I forgot, in the constant Caliburn defense he writed on the Onedof review a sentence about the unique Onedof TT bearing:
"""" A few years ago,MD ( then with Continuum Audio labs, showed me a prototype for a similar bearing designed for Continuum.... ".
I don't think that trying to diminish the main Onedof design characteristic is a way to make honest not biased reviews.
The Caliburn not needs that kind of " help ", the Caliburn has its own merits with and with out MF " help ".

R.
Spirit, if the review came out in Stereophile this month it will not be available online until next month.
Raul, How do you "know" that the Ondof and the NVS have perfect speed stability and accuracy? I'm not aware of any testing to prove this.

Also, does anyone know if their speeds are adjustable? After having a turntable with no speed adjustment and now one with it, this is, IMO, a necessity for all upper level turntables. The Technics SP10 MK3 has it as well as the Walker, The Dobbins Beat, the Trans Fi, etc.
I think someone did test the NVS with a Timeline. This was mentioned possibly in the previous now banished NVS thread. Perhaps the person who performed this comparison will enlighten us.

As to the Onedof, why would one assume it has perfect speed stability a priori? It is made by man; ergo it will have some flaws. What? Did you think it would be flawless in performance, just because it costs $150,000? (Kidding but not kidding.)
Well--Raul brought this up from Fremer's review--how about the fact that most records are punched off center? In a way it's almost too funny - you have a piece of equipment costing as much as a high-end sports car only to use it to play records that make equally absurdly expensive tonearm engage in a slalom while trying to extract information from the grooves. Wouldn't that be more important to focus on than an absolutely perfect speed? Or, at least, does this render the obsession with perfect speed somewhat misplaced?