Harry prefers and recommends no anti-skating, and I, after listening for a year with anti-skating engaged as a principle, now also prefer the sound without anti-skating once I gave it a listen. Perhaps the rigidity of the tonearm wire provides enough anti-skating, I'm not sure, but I'm now in Harry's anti anti-skating camp.
Regarding the azimuth, did you try several records to ensure it's indeed the tonearm, not irregularities in the record? And most importantly, can you hear the variations in the azimuth?
Regarding the azimuth, did you try several records to ensure it's indeed the tonearm, not irregularities in the record? And most importantly, can you hear the variations in the azimuth?