has anyone had any problems w/ Jasmine phono LP2.0

Nandric, Are you suggesting that changing the output capacitors will NOT improve the performance of the Jasmine?

If you have not heard the modified Jasmine (with upgraded output capacitors), you are not in a position to comment for or against.

Redglove, I assume that designers listen to different capacitors before they decide which to use. Then I also assume that capacitors of such small value are not so
expensive such that saving on them is an issue. It would be strange if the amateurs like we are can improve whatever design by changing two capacitors. But I know
that 'believing' is a strong feeling.

Nikola, You can pay several hundred USD per piece for REL or VCap teflons, not to mention Deuland caps. Or, you can pay a few bucks or less each for the same value caps. So I think you would admit that price is an object when a manufacturer selects coupling caps for production purposes. Oh, they like to make us think they carefully selected brand X after arduous listening tests, but I think the considerations are as much economic as anything else. The story goes that you have to mark up your product by about 5X the cost of building it, in order to make money in audio. This means that a $50 capacitor, one on each channel, raises your retail price by $500.

Nandric, You can lead a horse to water, but you cannot make him drink it.

For those interested in reviews of various capacitors and their sonic characteristics, try Humble Hifi Capacitor Tests. Below is the link.

http://www.humblehomemadehifi.com/Cap.html

Dear Lew, that's a bit thick. Redglobe mentioned $25 for
two while the manufacturers pay much less . Besides the
technical guys speak about 'capacitors mythology'. I
hope some of them will shine in.
Now this may be called 'Lew's paradox': in this contribution you suggest some correlation between the price and the quality of a component while elwehre you
deny such a correlation ( Eppo, Magic diamond ,etc).