Your cartridge isn't properly aligned. I had the same symptoms until I figured out how to correct that.
Good advice above..
The first thing I needed to do was set the proper overhang using a protractor or gauge. By definition, the overhang is the distance between the needle and the center of the spindle while the needle is in a straight line through the spindle to the pivot at the rear of the tonearm. So you have to get down and sight it like you're aiming a rifle.
Next, the VTA. The face of my cartridge is 90 degrees to the top, so if I can get the face of the cartridge square to the platter, the arm and cartridge will be level with the platter. I used a block of wood (similar to dice) to check for square as I adjusted the height of the tonearm. My tonearm lacks any way to measure the height, so I used playing cards as shims to gauge the height at the rear as I checked the face of the cartridge with the wooden block. After I got things level, I checked and adjusted the azimuth using the square block against the left and right sides of the cartridge body till they were perpendicular to the platter. Finally, I used a tracking angle gauge to verify the cartridge alignment.
Since any one thing can affect another, after I was done, I rechecked everything until I had everything zeroed in.
Now the cartridge was flying straight and true.
Since tracking force can affect VTA, I did all of these things with the tracking force set to the cartridge's recommended tracking force on a non spinning platter with a normal thickness record on top. To keep the record and stylus from damaging each other, I covered the record with a piece of glossy, photo weight paper. The glossy paper allowed the cartridge to drift back and forth over the surface without damaging either the stylus or record.
The last thing I did was set the antiskate using a test record till the test tones played with the least amount of distortion.
Now finally the tone of the music is correct (VTA and Azimuth affect tone) and the record plays to the end of the loudest tracks without distortion.
Good advice above..
The first thing I needed to do was set the proper overhang using a protractor or gauge. By definition, the overhang is the distance between the needle and the center of the spindle while the needle is in a straight line through the spindle to the pivot at the rear of the tonearm. So you have to get down and sight it like you're aiming a rifle.
Next, the VTA. The face of my cartridge is 90 degrees to the top, so if I can get the face of the cartridge square to the platter, the arm and cartridge will be level with the platter. I used a block of wood (similar to dice) to check for square as I adjusted the height of the tonearm. My tonearm lacks any way to measure the height, so I used playing cards as shims to gauge the height at the rear as I checked the face of the cartridge with the wooden block. After I got things level, I checked and adjusted the azimuth using the square block against the left and right sides of the cartridge body till they were perpendicular to the platter. Finally, I used a tracking angle gauge to verify the cartridge alignment.
Since any one thing can affect another, after I was done, I rechecked everything until I had everything zeroed in.
Now the cartridge was flying straight and true.
Since tracking force can affect VTA, I did all of these things with the tracking force set to the cartridge's recommended tracking force on a non spinning platter with a normal thickness record on top. To keep the record and stylus from damaging each other, I covered the record with a piece of glossy, photo weight paper. The glossy paper allowed the cartridge to drift back and forth over the surface without damaging either the stylus or record.
The last thing I did was set the antiskate using a test record till the test tones played with the least amount of distortion.
Now finally the tone of the music is correct (VTA and Azimuth affect tone) and the record plays to the end of the loudest tracks without distortion.