2. analog
  3. 1364763694

Lyra Delos or Helicon versus Soundsmith Zephyr

My vinyl front end starts with the Soundsmith Zephyr, VPI Classic TT, ARC PH-8 phono pre (58db)and ARC Ref 5 SE linestage (12db). I was thinking about changing out the Zephyr just to mix it up a bit. Anyone have a chance to compare the either of the Lyra carties with the Zephyr? Would appreciate any comments or advice. Thanks
bifwynne
jwpstayman
409 posts
 
Svenjosh - I find your comments about Soundsmith carts being "like a good digital source" to be 180 degrees off target - no offense intended. I have used the SS Zephyr and am currently using the SS Ebony Voice and found both to be delightfully musical, engaging, detailed, and ( dare I say) smooth. In direct comparison on a VPI table/arm, the Zephyr is far more involving and musical than the Lyra Delos and has more weight in the lower mids and better channel separation as well. As good as the Delos is ( and it is a very good cartridge), in the setup the OP uses, the Zephyr is going to be sonically superior. I would advise the OP to go for the Voice from SS if he wants to make a significant upgrade to his vinyl playback.
svenjosh
76 posts
 
Jwpstayman no offense taken.

I do not have a VPI turntable, but have 3 tables in different rooms. I remain firm that SS cartridges have a Digital sound. The opinion is not mine alone, several friends who are critical listeners concluded the same. There is nothing wrong with liking digital sound. I am pretty sure you like that kind of a sound, hence your preference for SS, as I said nothing wrong with preferences. But I would advise the OP to carefully listen before buying. He already has SS so unless he tries something different he will not know the difference and what he is missing.

No one says it loud but this is what forums are for, SS cartridges sound good but are not accurate, they have a house sound and do sound different that I cannot put my finger on.

Happy listening,
Svenjosh
maxh
52 posts
 
I moved from the Zephyr to a Kleos about a month ago.
I was happy very happy with the Zephyr. My perception of modern hi-fi is that it too often sacrifices the pleasure of listing to music for the clarity of analyzing the quality of recordings. The Zephyr was a pleasure. It soothed the system's high-end edginess that I had never been able to tame.
But I'm an addict. If a $1K cartridge is good then a $3K cartridge must be better.
The Kleos is better at the "hi-fi" stuff: better definition, better clarity, etc. But the edginess has returned and the musical magic is gone.
I'm going to let the Kleos break-in for longer before deciding what to do.
gkirkos
4 posts
 
Happy to revive this thread...

I have a VPI Super Scoutmaster and have had a Lyra (Argo) and a Soundsmith Aida, among others (Clearaudio, Benz-Micro) I find the SoundSmith to be amazing. It's the first cartridge I've ever heard that seems to be truly resolving. (I find the comment that it is like "good digital" to be bizarre and completely the opposite of what I hear). The Lyra never sounded right on my turntable - always a bit harsh. The Soundsmith is similar to Grado, sort of old-school "ultra-analog," but much more refined, and extremely natural sounding. It's the last cartridge I may ever buy!
bpoletti
1,566 posts
 
I've got an original Aries Extended with a JMW-12 arm. I used to use a Clavis da Capo but switched to an AT OC9/II. My preference for the OC9/II is based on its weight and richness in the low frequency compared to the CdC. I know the CdC is a thin-sounding cartridge.

How does the Lyra compare to the Soundsmith for imaging, soundstage and detail.

Given that the AT seems fairly close to the proper tonal balance in my system, would the SS end up being too dark? I would not want a "Grado" sound.

All my electronics are current units from Herron Audio. Phono Stage is a VTPH-2.
More to discover