Brinkmann vs TW Acustic


Was wondering how these two German manufacturers compare.
Bardo vs Raven One
Oasis vs Raven GT
LaGrange vs Raven AC
Is there a unique sound signature that goes up with the range? Which is a better value? (i.e. maybe the Oasis is better than the Raven AC)
Have heard both in show conditions, but could not pin-point their contribution to the end result as the rest of the system was unfamiliar as well.
iaxelrod
Ebm, wow that's uncalled for. When I wrote "boring yawn" I was referring to the bickering and negative remarks towards individuals.

I don't know everything and have never tried to come across in such a mannerism, only trying to convey and share my own experiences be it good or bad on product that I have actually owned, most posting on this thread can't say such.

I'm open minded and always learning, are you? because reading your last 3 post clearly not constructive and just demonstrates sarcasm.

With such snide remarks clearly demonstrates .... when I owned TW product all was good with your responses and other TW owners to me, is it because I now mention flaws with the product line that you are taking such personal.

You shouldn't.

TW has numerous faults and that's why I got rid of my tables because I couldn't correct such, it wasn't just because not being able to produce ACCURATE SPEED.

I even spent out of pocket money and sent my controller back to Thomas.

Suteetat/Lewm,

I don't agree that one has to have Golden Ears to hear or can't be heard, that's only a part of it because such can be felt while listening.

If you can't hear or feel the differences of such well what can I say, that's your opinion but mine and numerous others differs.

In the end as long as you are enjoying what ever it may be that's all that matters.

Dev if its so boring why answer after all you know everything

The answer is one sentence below. Your ability to read something and to understand it show some serious deficits. But you will know that from your schoolteacher.
Dev, I and Suteetat were referring to the audible difference, if any, between 33.3333 (I don't recall how many decimal places Suteetat proposed) and 33.3334, or the like. The software itself (the recording and mastering process) is not accurate to that level. Whether one can hear such a speed difference, if the speed is constant over time, is open to debate. I happen to think even you would not hear it, but perhaps you would. However, the main point of my response to Suteetat was to say that it is not so much super accurate 33 and one-third rpm as it is speed constancy over even small time intervals, i.e., not "average" speed, that is of prime importance in assessing a turntable. And that is only my opinion, not necessarily gospel.
Suteetat, great post. On point.

PS has anybody ever tried Sutherland Timeline on recording cutting machine? I wonder if those machines will even past the test? Or whatever stamper making machine or whatnots?

Wouldn't it be naïve think that the music on vinyl has not been altered or even tweaked during the whole process of capturing and mixing the recording and making the record?

Not to say all vinyl has that flaw, but you have to think that a lot if not most vinyl is affected to some degree that way.

Isn't the making of a record like making sausage? You might be better off not knowing goes in to it.