Tom is first and foremost an opportunist... he saw a niche market with a high disposable income that will pay for anything commissioned the best...even if unfounded...so Port has managed to find some stellar copies of some of the best selling lps of all time...guess what...so have many...myself included... Although it has taken me years...but that's the appeal..finding a diamond in the rough on your own accord ...some people can't or don't want to do the leg work...and that's up to them...and to be fair...he does offer a money back guarantee...and reports are his products are of merit...but he has somehow mystified the process while touting his "hot stamper" rhetoric ...and along with exorbitant prices...kinda ruined the fun of it...he also was a proponent of DCC recordings but changed his stance...bit ofca charlatan move.
Some years ago I was invited to listen to an Audiophile's System and after a while the owner brought some records he bought from TP, really outstanding sonics.
Very impressing indeed.
And for his pricing, well try it on your own, buy 5-8 identical records to find the one and only, you won't get those 8 for free ...
I do my own scrounging for used records ... and even if I could afford Tom's prices I wouldn't pay them, preferring to scrounge on my own.

With that said, a good friend of mine, a total vinyl guru, shops garage sales, estate sales and thrift stores to find great stampers/recordings to sell to Tom Port. I've heard a ton of them through my system before they get to Tom. I've compared them to the copies I own ... with few exceptions, they all surpass my copies in silence, dynamics, sound stage and tonal balance. If a person can afford the price ... I say enjoy them and more power to you.
Oregonpapa, where I live in Twin-Cities there are 12 Goodwills within 10 miles of my condo. I often find classical and jazz records which have been played little if at all at 99 cents.
Best find so far, 10 record set,never opened Japanese RCA pressing, of Rubenstein playing Chopin @ $4.99 !