Dear Adeep,
You should try AS. It seems an obvious thing to say but before tinkering with AS try to get the platter as 100% level as possible in all axes.
With some suspended tables this is easier said than done. I've seen suspended tables visibly tilt/oscillate under the influence of belt pull (either due to poor weight distribution/balance of the platter and its add-ons or forces acting on the sprung assembly or poor levelling of the plinth or all 3).
An unsuspended mass damped T/T is much easier in this respect.
Eyeballing cantilevers is not my preference, although I usually do a cursory check on the attitude of the cartridge during queuing at the run-in groove. Old advice was that the cantilever should remain stationary and wait to be picked up or it should drift slightly outwards? (Either on the innermost blank area or the outermost - they used to cite 5mm/sec outward drift). This is no longer the case as that would be considered to be over-compensation.
Listening is easily the best way to confirm this. My tonearm doesn't lend itself to active adjustment during play so I do it in stages.
Important to remember that strong bass signals tend to be encoded equally in both L-R channels. If AS is wrong then the cart will tend to ride up the slope of either channel. This is tantamount to a sort of channel-specific incorrect VTF, even if it is not blatantly mistracking.
You will hear L-R frequency balance changes as you alter AS.
To illustrate this to non-believers in the past I've actually done digital needledrops showing the effect of different settings.
Hope this helps.
You should try AS. It seems an obvious thing to say but before tinkering with AS try to get the platter as 100% level as possible in all axes.
With some suspended tables this is easier said than done. I've seen suspended tables visibly tilt/oscillate under the influence of belt pull (either due to poor weight distribution/balance of the platter and its add-ons or forces acting on the sprung assembly or poor levelling of the plinth or all 3).
An unsuspended mass damped T/T is much easier in this respect.
Eyeballing cantilevers is not my preference, although I usually do a cursory check on the attitude of the cartridge during queuing at the run-in groove. Old advice was that the cantilever should remain stationary and wait to be picked up or it should drift slightly outwards? (Either on the innermost blank area or the outermost - they used to cite 5mm/sec outward drift). This is no longer the case as that would be considered to be over-compensation.
Listening is easily the best way to confirm this. My tonearm doesn't lend itself to active adjustment during play so I do it in stages.
Important to remember that strong bass signals tend to be encoded equally in both L-R channels. If AS is wrong then the cart will tend to ride up the slope of either channel. This is tantamount to a sort of channel-specific incorrect VTF, even if it is not blatantly mistracking.
You will hear L-R frequency balance changes as you alter AS.
To illustrate this to non-believers in the past I've actually done digital needledrops showing the effect of different settings.
Hope this helps.