Interesting Article

There is no venue where music does not have some kind ambient noise except for Digital music. To me it is too clean and unnatural. I do listen to digital music, the scale and depth is getting better with hires. Vinyl is preferred, it does have issues but sounds more natural.

Tried vinyl and also could not get past the clicks and pops. I find my dac and rig as musical as any turntable I have heard, in my system, to be honest. Some of the sweeping comments against digital here are simply not true. Broad based and sweeping absolutes are rarely true folks. Widen your experience and learn these absolutes just don't stand up. Too many factors ranging from system synergy, room, source and personal preferences to make absolute statements. Just impossible.

In my rig, in my room, with my sonic preferences, my digital front end was more enjoyable.......for me.

Dweller and Granny

It could just be a matter of what kind of sound one is used to, did you grow up with vinyl or did you first start this journey with digital sound?

As I mentioned above the small clicks and pops that inadvertently is on a LP surface simply does not matter to me, I don't even register them. The etched cool and not, to me, as lifelike sound from digital does not connect me to the music in the same way LP playback does.

In my main personal listening room I have quite competent analog and digital setups. If only judging from the use that either setup sees, the analog side gets WAY more use than the digital one does.

To return to the article that started this tread it states that theres only 2 places in the world that produce lacquers for pressing LP's, one of which is mentioned to be a older gentleman in Japan working out of his garage. This clearly is misinformation - if you do a simple google search for LP Lacquer
dozens of places in the US alone pops up.

Good Listening

Peter

I started listening to vinyl in 1956 on a Zenith portable record player. My Mother removed it from me when I learned I could alter reality by turning the record faster with my finger. My later turntables included: Panasonic, Garrard Sl-95B, Garrard Zero-100, AR Classic (new version), Linn Basik+, 2 Music Halls and the current VPI Classic 2.

As most of my listening is digital, I may be spoiled and, consequently, hyper sensitive to vinyl noises on my semi-monthly visits to LP land.

I do recall (1970s) reading a stereo magazine and seeing a mastering engineer looking at the grooves of a metal stamper through a microscope. He was using a stylus to "gouge out" an imperfection in the stamper.

I wonder if stampers are made with the same care today?

My money is still on digital.

Dear Dweller,
I can probably save you the wait by way of example...

At the invitation of a friend, a while back, I bought a "True_HD" BD copy of the Rolling Stones "Grrr" (60 track compilation of their greatest hits) and for fun I compared it with a bashed up 2nd hand copy of "Rolled Gold" (40 track compilation).
Bearing in mind that the BD was probably derived from "original masters" whilst the LP compilation was from a secondary master, the vinyl versions were easily and noticeably more rewarding, and dare I say "live" sounding and involving, than the state-of-the-art digital offering.
I'm always intrigued enough to test new developments but sad to say it didn't satisfy.

Given your age & experience it's highly likely that under the same conditions you'd have drawn the same conclusion as I did (in fact my 23 yr old daughter would have drawn that conclusion even though she hasn't got the slightest interest in audio ;^)

Given the hype and the level of expectation I found it hard to believe but given a choice I'd ignore the BD completely and run any old vinyl instead - even an old compilation album. I'm not the only one who found the BD too sterile, sanitised and uninvolving. (I think that included digital enthusiasts who preferred earlier SACD versions!)

FWIW I don't think there is anything fundamentally wrong with digital recording as a medium, just that the results (usually) seem totally inconsistent with it's capability i.e. indifferent mastering or the current condition of those master tapes?
As they say, there are no easy routes to musical satisfaction (pardon the pun) when you are dealing with classic material. Most often the best way to jump into an audio "time machine" is to obtain copies of the original LPs.