Interesting Article


http://www.factmag.com/2015/05/07/pressed-to-the-edge-vinyl/
terrybbagit
No, I don't work for Meridian.
Also, I'm not obsessed by every little hint of surface noise (I would prefer that it weren't there, however).
But the worst of it usually occurs at the most critical part of the music.
"WAY DOWN INSIDE (echo: inside),
WOMAN (e: woman),
YOU_U NEED IT (e: need),
LOVVVVVVV CLICK, POP, FIZZLE....."
Maddening. P.S. See original "Bedazzled" movie (w/Cook & Morre) for explanation.
Dweller, You've got a problem. Some set-ups do communicate ticks and pops in excess, and yours might be one of them. I listened to LPs about 2 hours per night, each of the last 4-5 nights. A few LPs have a very few ticks and pops. By and large though, I am able to enjoy the music without any thought to surface noise. The sense of dynamics is superior to that afforded by RBCDs. (SACD and other hi-res sources are great, too, IMO.) If you're not happy with vinyl, don't listen to vinyl, but don't infer that everyone else is a clod, if they are not plagued by ticks and pops. You might begin by checking your choice of cartridge and its matching to your phono stage. Factors that artificially enhance high frequencies, like RF interference, can play a role in highlighting tracking glitches.
Lewm: Please specify where, in any of my posts, I suggested that anyone else but me is having a problem. Thank you

Update: I had a "vinyl night" tonight and was very pleased.
Steve Winwood: Arc of a Diver purchased in 1980. Splendid sonics and NO DEFECTS!
Steppenwolf: The Second (reprint, year unknown) Sonics so-so, one piece of punch-out paper embedded in groves per side (oops!).
Yes: Fragile - 1972. Sonics good to very good. No intrusive defects.
All-in-all a pretty good session!
Maybe it's just modern pressings that are pure crap?
I bought first "King Crimson" at T.H.E./CES and it sounds like a 1920s broadcast from Mars i.e. static city...
Apologies, it was a light-hearted suggestion. ;^)

I had visions of Meridian reviving Philips original marketing strategy of getting the punters to focus on noise rather than the music.
I think the analogue enthusiasts that are left are far too sophisticated and informed to be fooled by that one.

The other half of their target market is of course the Digiphile...who already claim to be happy with digital as it stands.
First impressions I get from the grapevine is that many digiphiles are cynical and sceptical about MQA in the extreme. I think they've been stung too many times with the latest new fad. They look like they've made their decision already. :(
Speaking of Peter Cook & Dudley Moore... ;^)

If you can get hold of a rare curiosity of an album called "Consequences" (the full 3-LP set) you'll witness a work of genius. Peter Cook does all the voices in the drama with the exception of the receptionist and Mrs Stapleton, from Jewish accent to posh inebriate lawyer. It's a grower so the full magnitude won't hit you until you've heard it a few times.
"Quote :
Cool Voiced Receptionist : "Mr Hague, may I have the rest of the afternoon off? My niece is on fire..."
Hague (inebriate lawyer) : "Alright (muttering) same bloody excuses every time..."
It was true btw! There was a global disaster going on outside! :D

The musical background is analogous to one of those massive oil paintings with a cast of thousands. If you were to snapshot one tiny bit of it there is always an incredible wealth of detail, sound effect, and subtle musical accompaniment going on in the background at occasionally near inaudible levels.
So, it'll come in handy that you've proved you're able to play older albums without interference ;^)
All the best,