Gmkowal I don't believe that you understand the signal transfer in CD playback. Most other digital transactions people have discussed are NOT real-time. CD playback is real-time. The protocol is one way with 44000 transmissions per second. Signal is lost. Bits are dropped. On other real-time digital aplications, say telephony, there is both a retry mechanism if the protocol allows and data recovery. CD protocol has no such provisions. Again rember this is technology that is almost 20 years old. The improvement in technology since the CD standard to the present is greater than the improvement in technology from Mr Bell And Edison to the start of CD technology. I suggest that your claimed knowledge of physics is flawed by your lack of understanding of this signal transfer. Before you go blasting a lot of other people, you'd better know what yo're talking about. As for some backgrtound, I've been working with digital audio on and off for over 30 years. I have spent over 8 years designing commercial digital audio and video and data transfer interfaces. So I'm not someone who has just read a few articles in StereoShill.
Why do digital cables sound different?
I have been talking to a few e-mail buddies and have a question that isn't being satisfactorily answered this far. So...I'm asking the experts on the forum to pitch in. This has probably been asked before but I can't find any references for it. Can someone explain why one DIGITAL cable (coaxial, BNC, etc.) can sound different than another? There are also similar claims for Toslink. In my mind, we're just trying to move bits from one place to another. Doesn't the digital stream get reconstituted and re-clocked on the receiving end anyway? Please enlighten me and maybe send along some URLs for my edification. Thanks, Dan
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- 291 posts total
- 291 posts total