Palasr: I see that you've taken to using the "chaos theory" form of cable geometry i.e. multiple conductors laying wherever they fall : )
Your plan to spiral wrap the conductors around a vibration absorbing core material with a gap between them is very similar in concept to some interconnects people were discussing quite a while ago. Since consistent spacing would be very difficult to achieve, you would have kind of a cross between what you had before and your current "chaos theory" geometry that you now have. That is, you would have a relatively consistent nominal impedance due to the specified gap that you mentioned yet there would be impedance bumps due to the lack of perfectly consistent winds. Some say that having a consistent impedance is what provides a specific sonic signature ( and it probably does to a certain degree ). They believe that a random impedance is best in order to achieve a lack of a sonic signature, whereas others would say that loading / power transfer / transient characteristics would be random at best. I would be interested to see what you think when all is said and done.
Eagle: Your cables remind me of an elevated model train track hovering in space : )
While i don't know the specifics, the nominal impedance of this type of arrangement would be VERY high i.e. well in excess of 300 ohms. With a less than "robust" amp and a set of speakers that were highly reactive / low impedance, i could see this cable acting as a beneficial buffering device. That is, where the amp might shut down using more conventional cables, it might run fine with this type of arrangement. Obviously in this type of situation, having a system that works is better than a system that doesn't work.
This is kind of what Nelson Pass did when one of his amps kept shutting down trying to drive his old Dayton Wright Electrostat's i.e. used a smaller gauge, higher series resistance cable that presented a higher nominal impedance. Under more normal conditions i.e. an amp that can drive the speakers without much of a fuss, the presentation would be strictly a matter of personal preference.
David: That "red" stuff is the dielectric insulation material, which is some type of enamel base. I don't know how great of an insulator enamel is in terms of chemical penetration into the conductor, so you might want to use an enamel based paint. I'm kinda guessing that this shouldn't create a problem. Sean
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Your plan to spiral wrap the conductors around a vibration absorbing core material with a gap between them is very similar in concept to some interconnects people were discussing quite a while ago. Since consistent spacing would be very difficult to achieve, you would have kind of a cross between what you had before and your current "chaos theory" geometry that you now have. That is, you would have a relatively consistent nominal impedance due to the specified gap that you mentioned yet there would be impedance bumps due to the lack of perfectly consistent winds. Some say that having a consistent impedance is what provides a specific sonic signature ( and it probably does to a certain degree ). They believe that a random impedance is best in order to achieve a lack of a sonic signature, whereas others would say that loading / power transfer / transient characteristics would be random at best. I would be interested to see what you think when all is said and done.
Eagle: Your cables remind me of an elevated model train track hovering in space : )
While i don't know the specifics, the nominal impedance of this type of arrangement would be VERY high i.e. well in excess of 300 ohms. With a less than "robust" amp and a set of speakers that were highly reactive / low impedance, i could see this cable acting as a beneficial buffering device. That is, where the amp might shut down using more conventional cables, it might run fine with this type of arrangement. Obviously in this type of situation, having a system that works is better than a system that doesn't work.
This is kind of what Nelson Pass did when one of his amps kept shutting down trying to drive his old Dayton Wright Electrostat's i.e. used a smaller gauge, higher series resistance cable that presented a higher nominal impedance. Under more normal conditions i.e. an amp that can drive the speakers without much of a fuss, the presentation would be strictly a matter of personal preference.
David: That "red" stuff is the dielectric insulation material, which is some type of enamel base. I don't know how great of an insulator enamel is in terms of chemical penetration into the conductor, so you might want to use an enamel based paint. I'm kinda guessing that this shouldn't create a problem. Sean
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