It's good to know that there are cables out there that can
finally offer the type of 3 dimensionality as the Gabriel Golds.
I have a dedicated and treated room and have the luxury of speaker placement.Not everyone has such an option ,most have a limited amount of space for speaker placement.
Even with my room tweaked (and I know my room I grew up in this house and now own it)
I essentilly re-constructed a room for dedicated listening and have been using the room for over 30 years for hi-fi listening.So many systems have come in and out of my room over the years, with the speakers most recently being in the Martin Logan family(Prodigy's right now)
There have also been a countless amount of cables,speaker wire and sources that have graced my ears and that of my family.
With the most recent and most satisfying of sources being the Bluenote Stibbert(with Ediswan tubes)I also rely on my wife's ear who is a professional dance/music choreographer along with my son who has toured the world as a professional drummer with major bands ,so when we sit and listen to tunes it is quite the experience.
My amp/pre amplification has taken a 180 degree turn from the days of having $50,000 of Levinson gear.I like many other members have found that the big ticket components don't always produce music naturally,they at times put their sonic manufacturer/stamp on things.
I now use a great pre/power source that is truly astounding
(yet could easily start a whole new discussion of it's own so I'll keep that to myself.)
Getting back to the topic of depth and three dimensionality
in the room.I am a big Al DeMeola admirer and as we know he is all about layer after layer, after layer with images and instruments spinning left to right, up and down and in and
out.(give a listen to "Kiss My Axe"
All of this is done on the recording with speed,solidity
and precision.
I did not realize just how much speed,precision and layering until I started adding the Gabriel Golds nearly 2 years ago.
I also was able to pick up on the tonality of the music like never before.This to me is very important I can not handle homogonized tones that are detailed yet colorless.
I had an ejoyable experience with many cables over the years most recently with the Stealth Indra/MLT combo,Siltech Forbes Lake and countles others.I don't see my house,the room,my Logans,my Stibbert,My un-named pre/power unit and especially all the Gabriel Gold interconnects,speaker wire and ac cords going anywhere.
My quest seems to be over.
I am so pleased that this obscure little thread I started
quite some time ago has grown in such a positive way and has been graced by so many passionate,knowledgable and even
entertaining people.
finally offer the type of 3 dimensionality as the Gabriel Golds.
I have a dedicated and treated room and have the luxury of speaker placement.Not everyone has such an option ,most have a limited amount of space for speaker placement.
Even with my room tweaked (and I know my room I grew up in this house and now own it)
I essentilly re-constructed a room for dedicated listening and have been using the room for over 30 years for hi-fi listening.So many systems have come in and out of my room over the years, with the speakers most recently being in the Martin Logan family(Prodigy's right now)
There have also been a countless amount of cables,speaker wire and sources that have graced my ears and that of my family.
With the most recent and most satisfying of sources being the Bluenote Stibbert(with Ediswan tubes)I also rely on my wife's ear who is a professional dance/music choreographer along with my son who has toured the world as a professional drummer with major bands ,so when we sit and listen to tunes it is quite the experience.
My amp/pre amplification has taken a 180 degree turn from the days of having $50,000 of Levinson gear.I like many other members have found that the big ticket components don't always produce music naturally,they at times put their sonic manufacturer/stamp on things.
I now use a great pre/power source that is truly astounding
(yet could easily start a whole new discussion of it's own so I'll keep that to myself.)
Getting back to the topic of depth and three dimensionality
in the room.I am a big Al DeMeola admirer and as we know he is all about layer after layer, after layer with images and instruments spinning left to right, up and down and in and
out.(give a listen to "Kiss My Axe"
All of this is done on the recording with speed,solidity
and precision.
I did not realize just how much speed,precision and layering until I started adding the Gabriel Golds nearly 2 years ago.
I also was able to pick up on the tonality of the music like never before.This to me is very important I can not handle homogonized tones that are detailed yet colorless.
I had an ejoyable experience with many cables over the years most recently with the Stealth Indra/MLT combo,Siltech Forbes Lake and countles others.I don't see my house,the room,my Logans,my Stibbert,My un-named pre/power unit and especially all the Gabriel Gold interconnects,speaker wire and ac cords going anywhere.
My quest seems to be over.
I am so pleased that this obscure little thread I started
quite some time ago has grown in such a positive way and has been graced by so many passionate,knowledgable and even
entertaining people.