Silver vs Copper cables

Brianmgrarcom, so you are saying that his Levinson gear and Wilson speakers are very smooth in the highs? Have you heard this equipment?

My comment was not meant to bash silver cables, I own all silver cables myself. However, Levinson and Wilson is a combo that could use a little toning down in the upper octaves, in case you haven't heard them. Silver would not be the best choice for this combination, IMHO. There is a difference between natural highs and high end companies that create artificial highs to try and sound detailed. I'm not bashing ML or Wilson either, but to put Nordost cables on that gear is to achieve bright sound, as our thread starter, Gjbianchi can attest.

Just like your favorite HP comment says 'thus the flaws of the transistors or tweeters'. I tried silver cables several times over the last 15 years w/o success. When I purchased my current speakers, Verity Audio Parsifal Encore's, I found a speaker that loves silver. Some don't care for the Parsifal's claiming they are too soft. They were probably listening to them with copper cables, in which case I agree with them. I sold my Jena Labs cables and bought RSAD cables in the speaker move.

My point is, there is no right or wrong cable. It just depends on what you are trying to accomplish. If your system sounds a bit slow or lifeless, try silver. If your system sounds a bit hot or bright, try copper. That's worked for me anyway. It may not work for everyone, but I'm not trying to please everyone. The thread originator claims his system sounds too bright with ML/Wilson/Nordost, I offered the suggestion that copper from Cardas or Jena Labs would help. What do you suggest (supposing he doesn't wish to change equipment)?

Cheers,
John

When we say manufacturer's top cables are usually silver I wonder if we're confusing cost with quality.

I guess it would be a difficult sell if as a cable manufacturer I said the $40 Gunbei Clokey Sig7 mkXIX copper interconnects were our top cable and not our $110 Gunbei Blockhead Climax 5 silver ICs.

Regarding the RSA Poiema's relative full-bodied sound compared to other silver speaker cables I've experienced, I'm wondering if that's due to the flat design of the cable which results in more surface area than with a round cable.

Hi John,

I understand your points, and we may not be to far apart. I do not think it is right to say silver cables are bright or cause brightness; some may be but that's more of a design issue IMO.

It seems to me that Nordost cables are known to be a bit on the bright side, copper or silver, so I would agree to not using those cables in his system. I do believe there are silver cables that could be run in that system just fine. Now whether the gear and speakers are a mismatch causing issues, this I cannot attest to.

You had mentioned trying silver cables many times w/o success until a speaker change, I offer two things to think about. 1) The cables simply revealed "weaknesses" in your system, or maybe 2) not the best designed cables. I am not saying it has to be one or the other but rather some possibilities.

Correct me if wrong, but you are suggesting using cables as tone controls? If so, I suppose if one enjoys the results, no harm no foul.

You ask for suggestions, as can be seen from my system, I like Audio Note cables. Their AN-V can be purchased relativly cheap and I think it is very good incomparison. If someone wants impressive looking cables though, these are not it.

When we say manufacturer's top cables are usually silver I wonder if we're confusing cost with quality.

I figured someone may suggest this. Let me clarify my statement by saying it is usually marketed as their best cable.