bi wiring

Davemitchell, I found your post above interesting and has motivated me to post what I'm currently doing. Normally I wouldn't have shared this. (Because it probably doesn't make sence).
I have 3 way Talon Firebirds that are biwireable. My Lamm M1.2 Ref. mono's have 2 sets ea. binding posts. On the top I'm using Stage III Concepts Vacuum Ref. They're mostly silver ribbons with a little gold in a vacuum. I used to jump down with Vacuum Ref. jumpers to good effect. Then I added Jena Labs (lots of high purity cooper) to the bass. Better. Then, and this is what I didn't want to mention, I put the Vacuum Ref. jumpers back in with both cable runs.
To me, in my system, this sounds best. Go figure.
Frank

Frank,

With very few exceptions, you really don't want to use two completely different models or brands of cables for biwiring. You want the two cables to be identical or at least very similar in character. I believe that the reason you like the sound better with the otherwise unnecessary jumpers back in is because what you are doing is blending the two cable's sounds together. By defeating the split crossovers for biwiring and running two speaker cables you are really just shotgun wiring your speakers with two different cables and averaging their sound across the whole speaker.

The advantages of true biwiring are not as important as having consistent and coherent sound from the top to bottom of your speakers.

I would wager that if you had two identical sets of whichever is your favorite cable, say the Stage III Vacuum Ref., you would like the sound much better with them biwired properly (with the jumpers removed).

Thanks, Dave.

Frank

Here's why biwiring works...
For those who know a bit about the different video cables (stay with me!), the worst is composite. That's because the color and luminance signals have to travel together down the one cable and interfere with each other. Once you separate them (S-video), the difference is very visible.
Likewise with speaker cable, the full range of frequencies must travel together the full length of the cable, which may be several metres long. They are then only split by the the low & high pass filters once they reach the speaker.
Now with biwiring, the amp doesn't "know" which cable to send the highs and lows down. But what happens is this: the cable to the tweeter is connected to a high pass filter in the speaker, which means the amp sees a continuous circuit for high frequencies, but very high resistance to lows - virtually an open circuit - and so no lows can travel along that cable. Likewise, the bass cable connects to a low pass (or high cut) filter which blocks high frequencies, thus preventing high frequencies from traveling through that circuit. This split occurs at the speaker terminals and means the low and high frequencies don't interfere with each other as they travel to the speaker.

Now, how audible this difference is, or the merits of using different metals for conductors, is another argument altogether! I haven't tested it, but my guess would be that over short runs with good cable, it's probably only very very slight.

Carl, great analogy! I treid to make that point in my post
but was, as usual quickly discounted. Thank You.