No issue. Electrical signals travel very close to the speed of light. You cannot possibly hear the difference. Since these are line level signals then the voltage drop will be negligeable too (your speaker should have very high input impedance something like 10 K Ohms).
Generally XLR cables are made from 22 or 24 AWG wire so you are looking at 16 to 25 Ohms resistance per THOUSAND feet. So on a 100 foot cable you are looking at a voltage drop of 2.5/10,000 = 0.00025 volts on your 2 Volt reference signal hardly worth bothering about... it in fact at extreme lengths it is cable inductance/capacitance that you may worry about.
Remember studios use microphone cable lengths of 50 feet all the time and a concert may involve 100's of feet of XLR cabling across a stage and to the control booth.
There is absolutely no need to be concerned over a few feet.
(BTW There is also no need to spend more then 20 bucks on an XLR microphone cable in my opinion...Mogami for example make nice cables and these may cost you $50 bucks...generally good cables last longer and have better shielding, however shielding is not likely to be an issue for short runs)
Generally XLR cables are made from 22 or 24 AWG wire so you are looking at 16 to 25 Ohms resistance per THOUSAND feet. So on a 100 foot cable you are looking at a voltage drop of 2.5/10,000 = 0.00025 volts on your 2 Volt reference signal hardly worth bothering about... it in fact at extreme lengths it is cable inductance/capacitance that you may worry about.
Remember studios use microphone cable lengths of 50 feet all the time and a concert may involve 100's of feet of XLR cabling across a stage and to the control booth.
There is absolutely no need to be concerned over a few feet.
(BTW There is also no need to spend more then 20 bucks on an XLR microphone cable in my opinion...Mogami for example make nice cables and these may cost you $50 bucks...generally good cables last longer and have better shielding, however shielding is not likely to be an issue for short runs)