Anyone who thinks a speaker that is good a classical can't also be good at metal just has not heard how hard a proper classical LP can be on a system.
Speakers and electronics really don't care what the signal is. If they are good at their job they will not be genre-specific. Its really that simple- if a speaker is better at one thing than another, its not a very good speaker.
I have two LPs that can bring most stereos to their knees in no time flat, if realistic volumes are being played. The first is of course Black Sabbath's Paranoid, on the original import white label Vertigo. The sound is astonishing and the bass energy simply saps most systems straightaway. The other LP is The Verdi Requiem, on the RCA Soria series. Play track 2 side 1 at a lifelike level and see if your system can handle the full dynamic range. Most can't.
The speakers I use are the Classic Audio Loudspeakers model T-3, which are 98 db 1 watt/1 meter and 16 ohms. Its very hard to clip a 60 watt amp on them!! I can literally get the building to shake, as the speakers go down to 20Hz. They are revealing and dynamic.
Metal is often compressed- we've mastered several metal LPs in the last couple of years and I have plenty of metal titles in my collection. Death metal in particular tends to be mostly guitar and I'm sorry but its just not that hard to reproduce. The more challenging recordings are usually not Death Metal- one I love to play at shows is Aesma Deava's second album, the Eros of Frigid Beauty (on Root of All Evil). This is a classical metal form, well recorded and very dynamic. Another title which is more Gothic classical metal is Therion's Vovin, which features choir and a string section in addition to the metal band.
Have fun!
Speakers and electronics really don't care what the signal is. If they are good at their job they will not be genre-specific. Its really that simple- if a speaker is better at one thing than another, its not a very good speaker.
I have two LPs that can bring most stereos to their knees in no time flat, if realistic volumes are being played. The first is of course Black Sabbath's Paranoid, on the original import white label Vertigo. The sound is astonishing and the bass energy simply saps most systems straightaway. The other LP is The Verdi Requiem, on the RCA Soria series. Play track 2 side 1 at a lifelike level and see if your system can handle the full dynamic range. Most can't.
The speakers I use are the Classic Audio Loudspeakers model T-3, which are 98 db 1 watt/1 meter and 16 ohms. Its very hard to clip a 60 watt amp on them!! I can literally get the building to shake, as the speakers go down to 20Hz. They are revealing and dynamic.
Metal is often compressed- we've mastered several metal LPs in the last couple of years and I have plenty of metal titles in my collection. Death metal in particular tends to be mostly guitar and I'm sorry but its just not that hard to reproduce. The more challenging recordings are usually not Death Metal- one I love to play at shows is Aesma Deava's second album, the Eros of Frigid Beauty (on Root of All Evil). This is a classical metal form, well recorded and very dynamic. Another title which is more Gothic classical metal is Therion's Vovin, which features choir and a string section in addition to the metal band.
Have fun!
