XLR interconnects?


I'm in the process of upgrading my interconnects to XLR balanced cables. My gear is a Bryston BCD-1 cd player, Bryston SP 1.7 pre/pro, Sherbourn 5250A multi-channel amp, and my speakers are Anthony Gallo Ref 3.1's.
I'm looking to find a cable that is fairly neutral as I'm happy with the sound of my system. If there is a cable out there that may benefit my system please make a suggestion. I'm looking to spend between $200-$300 per pair. Some I've been thinking of trying out are Cardas Qualink 5c's, Kimber Hero's, Harmonic Technology Truthlinks, and Straightwire Maestro II's. Right now I'm using Ultralink Platinum series interconnects. Hope you can help.
darrenmc
From my experience the Antipodes Audio Katipos will stand out amongst that lot. As good as any silver cable I have ever heard without any hard silver sound. They aren't too well known in the USA as they are made in New Zealand, but the whole range are fast, open, dynamic and well balanced. Has a half-price, 30 day money back offer on Audiogon last time I looked.
I am really impressed with the Clear Day balanced interconnects.
The xhadow XLR are a real treat in a solid silver interconnect and the price that vonwaffen is charging is very reasonable for the quality of construction and parts.
I did a free audition of them to see how they would match up with his speaker cables.
Synergy.
Iknow this is used a lot in this hobby, but my system never played music so effortlessly before.
I should add that the other IC I used were Cardas Golden Ref and Shunyata Aries, both good cables yet each had their own sonic strenghts and weaknesses with the Clear day speaker wire.
The Clear Day combo just clicked .
Maybe it's because the same solid core silver wire is used in both the speaker and interconnect, or it's because the xhadow XLR are really good.
I've run a lot of cables as a manufacturer. Not only that but we made the first balanced line product for high end audio- the MP-1 preamplifier. Over the years one of the more obvious deals for an interconnect between the preamp and the amp has been the Mogami mentioned several times already on this thread.

If you know only one thing about the balanced line system, the thing to know is that its purpose in life is to eliminate interconnect artifact!

In order to do that the equipment that the cables are used with has to support the standard: pin 1 is ground, pin 2 is non-inverting, pin 3 inverting, but most of all whatever is driving the cable should be able to drive a 600 ohm load without ill effects, which is how all the cable artifacts are swamped out. Most high end audio manufacturers don't get that last part.

IOW if the standard is met, the cable and its length will hardly affect the sound at all- and will be far more accurate than single-ended. So if you are hearing big differences between cables, that is an indicator that you are not getting everything out of them they have to offer.