Cables for an MBL Reference system?


Does anybody out there have any real life exp. or suggestions to maximize an MBL Reference rig?(101e's,6010d,1621a,1611f,9008a's).
I love the Radialstrahlers and probably never go back to a box speaker again, they just do magic to live recordings.
With all of the accolades that the 6010d pre has gotten, I wonder if the NOT truly balanced mode may be hurting my case, but many of my source recordings need it.
I listen to mostly live, older source material(GD, Allmans, NRPS and other acoustic/bluegrass/jamband music and/or female vocal stuff(Natalie, Kraus/Jewel etc).
I've been swaping out different cables for a few years and am stuck in the world of compromise.
Tara's don't cut it(too dark) without going to the Zero/Omega's, just rediculious $$ for wire.
Wireworlds(as recommended by MBL) have interesting coherency and great mid-upper end resolution, but don't cut it on the bottom end(Gold Eclipse 5 speaks), and their copper cables are too slow.
Has anybody tried any MIT, Kharma or any other high end stuff that may fit the bill.

Thanx in advance for any feedback.

Jackaroe
128x128jackaroe
David,
Thanx for your response and input. It certainly seems as if the MBL electronics are the goods, teamed up with either their own speaks or with the Kharma's, and I have also heard some amazing things from the Kharma's at GTT, Bill is a great guy.
Of the responses I've rec'd, KS Emotions seems to be the solid choice of many. Stealth seems to also get a few votes. I am sure the kharma Enigma S are all that , but I am trying to avoid the crazy $$ that go with them.
Just out of curiosity, do you spin any vinyl? I am curious as to how well the MBL front end will do with that as it leans towards the warmer side with high res.? I'm thinking about jumping back in.
Thanx again,

Darren