The Physics of Electricity


Can anyone explain clearly in either common parlance or technical terms the difference between a $1,000.00 cable and/or speaker wire versus a $20.00 (or so) one? What does wire "do" in an expensive cable/wire that an inexpensive cable/wire does not? Does it conduct more or "better" electricity?
llanger
I was going to edit the post briefly, but there seems to be a glitch somewhere which does not allow it at times;

I ammend thus: Rather than suggest thinness in sound like SET amps, read some poorer SET amps. Also my concluding thought is too strong. One can certainly improve their rig via other means, but will likely remain hindered if the quality of the cabling is not explored.
Can anyone explain clearly in either common parlance or technical terms the difference between a $1,000.00 cable and/or speaker wire versus a $20.00 (or so) one? What does wire "do" in an expensive cable/wire that an inexpensive cable/wire does not? Does it conduct more or "better" electricity?
Llanger
I'm surprised that with 39 responses, no one explained the difference between mains electricity and electronics. Power cords and power lines are built to transmit mains electricity. In the US, this is electrical current that alternates at 60 Hz, and is kept at a narrow range of voltage ideally from 110 to 120 VAC.

Electronics, on the other hand, is an elaborate system with the use of a combination of devices (e.g., diodes, triodes, resistors, capacitors, etc.) to amplify voltage fluctuations (which are known as *signals*) to perform tasks. In simple electronics rudimental signals trip a relay, close a switch, adjust temperature, etc. The task of signal transmission in audio is far more sophisticated. The musical performance is encoded to represent all the notes, all the frequencies of the instruments' and voices' overtones, the amplitude of each note, and the tempo at which these notes are played. There is a separate encoding and fluctuation for each of these.

Wire for electricity has very few requirements--it has to have low resistance, be able to transmit lots of current, and be insulated so it doesn't cause short circuits or electrocute the user.

Audio signal cables (interconnects and speaker cables) have a much more complicated job. Ideally they must convey all the various signals (which are minute voltage fluctuations) in time with one another (with the challenge that signal speed varies with frequency), keep the amplitude of each accurate, minimize (ideally prevent) signals from being absorbed by the dielectric to be released back into the signal path later, and have near perfect rise time (which requires frequency response somewhere past 1 GHz). High end audio cable is optimized for signal transfer of all frequencies. It is more challenging to optimize all audio frequencies to travel coherently for ultimate audio signal performance than it is to deliver up to 15 amperes at a constant 115 volts AC.

Even a power cord for an audio component has requirements that general power cord does not--you want to provide as consistent and noise-free power provided to the components as possible. To that end, high end power cords are wound, shielded, and/or woven to reject noise in the electrical lines that can degrade the sound quality of the component receiving the "dirty" sound.

So there's your basic answer. The primary job of electrical wire is to transmit a relatively narrow range of electrical power at a fixed voltage. The primary job of audio cables is to transmit an incredibly complex time-dependent array of electronic signals covering ten octaves of frequencies while rejecting electrical noise that can compromise the musical aspects of the signal quality when it reaches its destination--loudspeakers.
06-24-11: Johnnyb53
Ideally they must convey all the various signals (which are minute voltage fluctuations) in time with one another (with the challenge that signal speed varies with frequency), keep the amplitude of each accurate, minimize (ideally prevent) signals from being absorbed by the dielectric to be released back into the signal path later, and have near perfect rise time (which requires frequency response somewhere past 1 GHz).
Johnnyb53, while your well written post is, IMO, completely correct from a qualitative standpoint (i.e., if quantitative considerations are ignored), as I've mentioned in response to similar posts you've made in the past it is incorrect and misleading quantitatively.

Risetime need only be fast enough to not have audible effects within the frequency range of human hearing. As you know, that is nominally considered to be 20kHz, but even if we apply a huge margin to that figure, 1GHz is still thousands of times faster than necessary.

Furthermore, it is thousands of times faster than the bandwidths of the speakers, the source material, the source component, most electronic components, as well as our ears, so even if cable bandwidth were vastly lower than 1GHz, and cable risetime correspondingly slower, it would not affect overall system bandwidth and risetime to more than an infinitesimal degree.

Finally, I would maintain that for reasonable cable lengths the claimed need for time alignment is speculative at best, as even the audible frequency having the slowest propagation speed (20Hz) still propagates through wires at approximately 5 million meters per second (with the propagation speed of higher frequencies approaching the speed of light). See Figure 2 of this reference.

Regards,
-- Al
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06-24-11: Almarg
Johnnyb53, while your well written post is, IMO, completely correct from a qualitative standpoint (i.e., if quantitative considerations are ignored), as I've mentioned in response to similar posts you've made in the past it is incorrect and misleading quantitatively.
Qualitative was the nature of the OP's original question. He was unaware of the qualitative functional difference between a refrigerator power cord and interconnects between a preamp and amplifier. You don't have to agree with how important the difference is, but the purpose and functions of the two kinds of wires is fundamentally different.

As for calling me "incorrect," that's rather presumptuous for what is a matter of opinion supported by research on both sides. Some very bright lights in audio base their designs on ultrawide bandwidth, including Soulution, Symphonic Line, Odyssey Audio, Spectral Audio, Kimber Cable, Zu Audio, and many others. If you disagree with them, write a letter and set them straight.

Test reports that chart frequency response and square wave response show that risetime is visibly slower on amps that start rolling off at about 20KHz. For example:

-1dB @ 20KHz, visibly very rounded risetime

wide bandwidth, fast (nearly vertical) risetime