DAC woes - what to do


Greetings,
Oh Boy!!! Another "what should I buy" thread! Yippee!!!
Seriously though... looking for some personal experience and potential recommendations.
Ive been looking for a new CD player recently, preferably in the <$1000 range.
I recently ended up buying a Rega DAC. Actually, I bought an apollo-r at first, but it was possessed by demons and wouldnt play most of my CD's (even new, non-scratched ones.) So, I exchanged it for the DAC instead.
I was lured into the Rega by its very unique sound. Its beefy but articulate and with good definition...or so I thought upon initial comparisons (I compared it with 6 different players in my home system, as well as many others at the shop.)
But, as it breaks-in, the "beef" is turning to "bloat" and the enchantment is waning. Its too "soft" up top to balance the low-end emphasis. Not to mention that one of the toslink connector "shutters" broke off inside the receiver on first attempt to plug it up, and is unusable now. And, the automuting pops/hisses when the transport is powered on (the demo DAC didnt do this.) So, Im already waiting for the replacement to come in. So now is the time to return it, if Im going to.
Anway, back on track... I admit, I got "sucked in" by the so-called "analog" sound, and I did enjoy it for a while. There is something unique about this Rega. The individual instruments are quite articulate, and the soundstage is enormous. But what Ive noticed that that, while the instruments are individually defined, they tend to get "lost" in the vast stage. Its very difficult to place them in relation to each other.
For example, I listen to mostly choir/choral, chamber and full orchestral works. I was originally enchanted to actually hear additional voices from music Ive heard 1000x before. It was very cool. And, the noise floor is extremely low...the instruments seem to come out of a black hole. Its almost eery, especially with dark arrangements. But more and more, especially with "busy," intricate voices, they've begun to "smear," for lack of a better word.
For the "record" (another pun,) I have a halo p7 pre-amp, parasound hca 1500 amp and paradigm studio 20 v5's (with a hsu sub.) Not hi-fi for many, but its a very "honest" sounding system, which is my intent.
I keep thinking back to this peachtree DAC I auditioned. It had better definition and "air" than the Rega (yes, I A/B'd them,) but the Rega destroyed it in the lower frequency response, and was therefore more impressive at the time.
So, Im afraid the Rega has to go back. Not counting the sound, Im a bit concerned about long time reliability (Im 0 for 2 right now with their reliability... not great.)
Im also afraid Im going to have to admit that I like a "digital" sound, as much as people seem to be afraid to admit that. I dont like analog bloom and "laid back" presentation, although I realize a lot of people do, and thats great. And Im convinced there is something out there near my price range that combines the "beef" of the Rega with the "sweet" and definition/clarity of the peachtree.
I dont have any music fidelity dealers here in Atlanta, so Im considering buying an M1 on a hunch. I hate to judge by reviews, but it seems the might be the "ticket" in this price range. Or maybe the Benchmark DAC 1, but again, I dont have any dealers locally to easily hear one.
So, in summary... I want Rega soundstage width, but with a tighter, less accentuated mids and lows, and brighter, crisper highs. Does anyone have any recommendations in the $1k range?
BTW, Im open to single-box players, but Ive listened to a ton lately, and I dont think Im going to find one with as good of an analog output section as many of the DAC's. That seems to be the "ticket" to the magic of the external DAC.
And for the record, I did listen to one much more expensive model, the NAD M51. I only listed to it at the store, and it seemed too bright compared a/b with the Rega, but that might actually be the ticket, especially after break-in. Ill probably demo it at home to compare before I return the Rega.
Again, I might consider the NAD or something like a Bryston BDA-1 at around $2k, but Id prefer to stay around half that.
Anyway, thanks in advance for any input.
lightspeed240
It's so interesting how different people perceive products so differently. I actually found that a Peachtree DACit-X gave my system all the low end I wanted (along with air and detail), and ended up buying a 2nd for another room. I can't fathom any DAC "destroying" it in terms of low end, but that's what you heard in your room, with your equipment, and your ears. Which highlights why at the end of the day, all the advice and reviews in the world can't take the place of actually hearing a component in your own space. In my case, I had a mean man-crush on the Line Magnetic LM502-CA DAC, which would have run me $1800 + tax - I lusted after that. But the DACit-X sounds just as good for a fraction of the money, so I guess I would fall into that category who believes you don't have to spend $2K on a DAC to get good sound. At least, that's how it worked out in my case. Good luck in your quest!
"But what Ive noticed that that, while the instruments are individually defined, they tend to get "lost" in the vast stage. Its very difficult to place them in relation to each other.
....But more and more, especially with "busy," intricate voices, they've begun to "smear," for lack of a better word."

What I've noticed is that with different DACs, or any new component you place in your system, you might have to re-position your speakers slightly to allow for the change that component might have regarding soundstage-ing and imaging. I don't know if you've thought of that but if you haven't I would try that to see if it improved those issues you mentioned. Sometimes all it takes is a slight toe-in or toe-out.
Not a single recommendation for the PS Audio Nuwave dac? Although it's not really high end, it seems to be a contender in this price class the op requested.
I've been using the PS Audio DLIII for years now with zero desire to swap it out. It's been on almost the entire time, never a glitch.
Hey Lightspeed, I obviously like the M51 as I own it. It seems to be obtainable used at really good prices now.

If getting something new, you might want to look at the Rotel RDD-1580 or Metrum Octave.
Greetings everyone... Thanks for all the responses on this. Definitely good to think about.

I got a wild hair today and I bought a benchmark. It will be here tomorrow.
I also bought a parasound zdac, as I have to give my historically favorite brand a shot, even though Im afraid it might be seriously outgunned. But who knows :)
I also tried to buy a bryston bda-2 at the same time (yes, I realize this indicates a serious problem with self-control,) but they could only sell me two of the same items at the same time (apparently its common for people to demo these LOL.)

BTW, 2500 is going to be the limit here. I can see this could easily get well out of control.

So, Ill have a "$1k dac shootout" this weekend and return the two "loosers." I realize the new ones wont have much burn-in time, but ill let them play for a couple days prior to a serious comparison. At least neither of the new ones will be at an advantage.
The "last $1k dac standing" will then face the Bryston and the NAD in a david vs goliath. Ill weight the results somewhat for price, presuming one of the big dogs "wins," but Ive decided that Ill spend the money on the more expensive item if its tangibly better.

A few quick thoughts on some of the responses...
I agree the audio note is seriously nice piece of equipment, but (1) its way too expensive and (2) I dont want tubes in my source. But I am not discounting tubes just because they are tubes. Ive been wanting a decware zen preamp for years. But I just dont want to even start down that path. Its the same reason I dont do vinyl...its a slippery slope. The last thing I need is something more to obsess about (such as trying to find my "favorite tube.")

I have to admit I didnt do a lot of homework on dac's before I started listening to them. I figured Id let my ears decide and my mind didnt get a say. My heart knows that its irrelevant what makes the sound, as long as I enjoy it. But, I am a tech-geek and my mind loves to consider the component specs. And the mind needs to be placated too LOL
Im hoping I didnt make a mistake on that benchmark already. I didnt know it did source rate conversion also. As a matter of fact, neither did the salesman, because I specifically asked it, and he said "no." I know the bryston, NAD and parasound do, so I was hoping to compare a new one that didnt.
I still think the best way should be to remove as much processing as possible. I am tech savvy and I understand the claimed benefits, but many of the most highly regarded setups dont upsample/upconvert anything. If Ive learned anything as a network architect, its that simple is almost always better. But, Im going to be open-minded and give them all a shot.

At this rate, It seems I may have to end-up with an audio note after all. But I have to think that the tube outputs would give it all the attributes that Im trying to avoid, so it seems.

If anyone would like to send me their audio note to include in the david vs goliath round, let me know :) Ill pay shipping and insurance LOL