Classical, Spanish & South American Guitar Jewels


I like the Guitar and find it is relatively easily reproduced with my smaller speakers so the "sound" is generally very acceptable.
I am hoping to find albums versus best of compilations(still welcome); whether on vinyl or CD. I'll start out with 2 CD's I enjoy. Easy listening.
1. Music of the Brazilian Masters, Concord Picante label from Concord Jazz. CCD-4389. Laurindo Almeida, Carlos Bosa-Lima, Charlie Byrd. It's nice to hear the different guitars,playing styles and even strings.
2. Portrait of John Williams. CBS Records Masterworks. MK 37791. John Williams.
I hope someone enjoys these and has suggestions for other treasures. More to follow.
ptss
Ptss,

the players of old each had a "signature sound." I don't know why, but on stringed instruments these days everyone sounds so very similar for the most part. There are a few exceptions, but it's hard to tell most of them from just a few seconds of listening.
I think the overall quality of guitars is better today, maybe becoming more similar. I find they are getting more powerful/solid- sometimes almost bigger sounding. This may make sounds more similar. What do you find?
I agree, but some makers have gone off in totally new directions which don't please everyone. I'd rather hear John Williams on his old Fleta than on a new Smallman. But, yes, overall it's a golden age for lutherie--for all instruments, it seems. There are some astounding violins and mandolins, for instance, being made these days.
I agree with Tostados' preference for Fleta over Smallman. But how often do you get to hear a master play in a small room without amplification? (answer: virtually never.) The modern "loud" guitars (e.g. Smallman) don't seem to have quite the same beauty of tone as more traditional designs They are designed for projection in big auditoriums. I don't really understand why Williams would play a Smallman on record. Perhaps he agrees with Jerry Garcia, on The Pizza Tapes, where he said, "Louder is better. On this planet, louder's better."

I like almost everything by John Williams, Michael Chapdelaine, Elliot Fisk, Laurindo Almeida, Joe Pass... there are many great players.
I'm with you LLoyd on many enjoyable players. I've never checked what guitars players are/have been using although I find the different qualities (well mainly lack of quality) very significant. But if guitarists are moving to "stronger" guitars I think it me be that the demands of fortissimo playing always seems to reveal weakness in a guitar, at least to my ears. Of course I have always had to overlook that, particularly in Spanish music, because 1.there is so much beauty in the delicacy 2. the fortissimo sections are where the recording quality has also been weak. Your thoughts?