Not quite sure what you mean by "boutique sound"; and, "best", as always, will be argued to be subjective. Having said that, I think that what you may be saying is that there are musicians whose musical "stuff" is so strong that the message always transcends and rises above poor recording quality. One can't polish a (musical) turd with boutique (?) sound enhancement; but, likewise, it's almost impossible to destroy the music in truly great playing with bad recording quality or playback.
As far as impeccable tone goes I agree with some of your choices, especially Heifetz and Clapton; and Getz, Frisell and Metheny for especially unique tones. Not so much with Haden or DeFrancesco. Haden was an amazing musician and one of my very favorite bass players, but I always found his "tone" somewhat diffuse and indistinct compared to other favorite bass players; no arguing with the music though. DeFrancesco makes me nervous with an over abundance of exuberance in his playing which, for me, detracts from his impressive tone.
Some musicians that, for me, define(d) the pinnacle of tone and are also musical masters:
Heifetz (violin)
Julius Baker (flute)
Robert Marcellus (clarinet)
Michael Brecker (tenor saxophone)
Horowitz/Bill Evans (piano)
George Mraz (acoustic bass)
Charlie Mariano (alto saxophone)
Jack DeJohnette (drums)
Manuel Barrueco (Classical guitar)