I haven't done any resistor rolling myself, but, I once spoke to the designer/builder of amps and preamps who did not like the S102 for his designs. He found the resulting sound to be lean and seemingly stripped of harmonics. He was quite clear that the right parts in any design has nothing to do with cost, reputation, or any kind of judgment of intrinsic quality--it is a matter of specific voicing. For the same reason, he liked a particular conductive plastic Alps potentiometer that he could no longer easily find even though he could easily replace it with much more expensive alternatives and pass along the cost (he builds quite high end designs); he said he would gladly pay much more for that "cheap" part which was no longer being made.
Top resistors
Many threads with opinions on boutique coupling capacitors, but very little consolidated information on the sonics of resistors. Anyone care to share their thoughts on the attributes of their favorite brands & types for specific tube and SS applications? How much of a difference does a good resistor make?
My interest in the topic increased after recently installing the latest Texas Components nude Vishay TX2575 in several SS and tube phono & LS components. This was a proverbial "Ah-ha" moment-- a stray resistor dropped into signal path here or there, surprising with an improvement that equalled or surpassed the impact of a switch to a top coupling cap like V-Cap or Mundorf.
My interest in the topic increased after recently installing the latest Texas Components nude Vishay TX2575 in several SS and tube phono & LS components. This was a proverbial "Ah-ha" moment-- a stray resistor dropped into signal path here or there, surprising with an improvement that equalled or surpassed the impact of a switch to a top coupling cap like V-Cap or Mundorf.
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- 205 posts total
- 205 posts total