Hi Howard,
I couldn't find enough information to determine if the signals sent into the XLR input of the Kismet are received by a balanced receiver stage or not. As I indicated, more often than not that will be the case even if the rest of the internal signal path is unbalanced, at least in quality designs. But I'm not at all certain that is the case here.
The only specs I found in this case that may have some relevance to that question are contained in the statement in the review that "the overall gain is about 30dB with an input impedance of 22kΩ and input sensitivity of 1V RMS." If a balanced receiver stage were provided for the amp's XLR input, I would expect the input impedance of the XLR input to usually (although not always) be different than the input impedance of the RCA input, with the impedance often (although not always) being a factor of 2 greater for the XLR input than for the RCA input. And likewise I would expect that the gain would often (although not always) be 6 db greater for the XLR input than for the RCA input.
So given that only one set of numbers for those parameters seems to be available, with no indication as to whether it applies to the RCA input or the XLR input or both, in this case I think it would be best to present the question directly to Odyssey, and see what they have to say.
Best regards,
-- Al
I couldn't find enough information to determine if the signals sent into the XLR input of the Kismet are received by a balanced receiver stage or not. As I indicated, more often than not that will be the case even if the rest of the internal signal path is unbalanced, at least in quality designs. But I'm not at all certain that is the case here.
The only specs I found in this case that may have some relevance to that question are contained in the statement in the review that "the overall gain is about 30dB with an input impedance of 22kΩ and input sensitivity of 1V RMS." If a balanced receiver stage were provided for the amp's XLR input, I would expect the input impedance of the XLR input to usually (although not always) be different than the input impedance of the RCA input, with the impedance often (although not always) being a factor of 2 greater for the XLR input than for the RCA input. And likewise I would expect that the gain would often (although not always) be 6 db greater for the XLR input than for the RCA input.
So given that only one set of numbers for those parameters seems to be available, with no indication as to whether it applies to the RCA input or the XLR input or both, in this case I think it would be best to present the question directly to Odyssey, and see what they have to say.
Best regards,
-- Al