How does one get off the merry-go-round?


I'm interested in hearing from or about music lovers who have dropped out of the audio "hobby." I don't mean you were content with your system for 6 weeks. I mean, you stood pat for a long time, or--even better--you downsized...maybe got rid of your separates and got an integrated.

(I suppose if you did this, you probably aren't reading these forums any more.)

If this sounds like a cry for help, well, I dunno. Not really. I'm just curious. My thoughts have been running to things like integrated amps and small equipment racks and whatnot even as I continue to experiment and upgrade with vigor (I'm taking the room correction plunge, for example.) Just want to hear what people have to say on the subject.

---dan
Ag insider logo xs@2xdrubin
Detlof; I do wish I were wrong. I live here in Washington DC. Of the four remaining audio stores in the area (there once were eight) they all consider themselves high end. You can get the best in electronics and turntables. Exactly NONE of them carry any vinyl. Besides the erroding of interest we are also self destructing. Tower Records has six area stores and occaisionally vinyl but not of any quality. Rarely a Classic Record reissue and then only at one outlet. The Wall Street Journal predicted last summer that they might go out of business by April if a lackluster Christmas season materialized and it did. Worst retail season in thirteen years. Used record stores have dwindled to about three or four from a high of ten three years ago. But, if you don't take this stuff too seriously,the merry go round produces a lovely ride! Again, I enjoy my music daily. Hope you do as well.
Yes, it does not look good. We're a bit behind here, as in everything, but there are the same signs here written on the wall. Mind you, the one, two high end stores are still making good business and HT is only beginning to hit the market now in a more serious fashion. The big record outlets have seen no vinyl for decades either. But I'm still hoping that the bug that bit us once is contageous.... Cheers, Detlof
I recently jumped off the merry-go-round due to a business setback so the experience is fresh in my mind. I went from a new Class A system to Class B components played through some borrowed 15 year old speakers from a friend (I was happy to have anything).

It was a bit of a shock, but once I licked my wounds, I adjusted by shifting my focus from the equipment to the music. I no longer sit in the "sweet spot" and critique every note that is played and the inevitable shortcomings of the $25K worth of equipment that reproduced it. Rather, I now put on some music and go about my business as I move around the house. So while I'm not critically listening to the music, I am actually LISTENING to much more music and much less equipment.

This is not the standard audiophile approach (and it wasn't mine either), but it has changed my priorities. I've bought about 200 jazz discs, so now I actually have something to listen to, rather than a dozen or so discs that were hand selected because of the quality of the recording and their ability to show the strength or weakness of my system. So while I no longer sit and obsess over which part of my system is holding me back, I just play music and enjoy it.

I'm sure I'll upgrade again in the future, but I think this has been a good lesson for me. I didn't want or chose the cure, but it found me and now I've seen how much effort I spent pursuing equipment rather than enjoying music. Like wine lovers or any other passionate, perfectionist group of people, it's easy to lose focus and find yourself enjoying your hobby less. I now try to get my pleasure from the performance, and the emotional connection with the music. These are the things I was missing when I was listening to my equipment, and not my music.

But you know what's really sad- right now someone is probably reading this post and thinking "You can't build a Class A system for $25K, what is he talking about." I rest my case.
I recently downsized from tube separates to a solid state integrated amp and from large floor standing speakers to smaller bookshelf size speakers.
I did this for two reasons: 1. Lack of time to spend listening to this system other than for background music due to family and job commitments. Most of my "critical" listening is now done thru Grado RS-2 headphones in a 2nd system. 2. I needed smaller, better looking speakers that could work close to a wall, severely limiting my choices.
I do not have quite the same level of sound quality that I had before I started this, but the system I went to costs about 25% of what my previous stuff did new. Sound quality is about 80%. I have been able to maintain the sound quality by selecting stuff that works well together and using cables to fine tune. Component interface is a subject often overlooked by many.
I did recently purchase a used tubed dac, because I could not live w/o at least some semblance of tube sound in my system.
I was kicked off the m-g-round. I had to sell the "dream system" before it was complete, and have remained calm since (only one power amp during the whole of 2001 -- but more than 500 pieces of music). On the other hand, I get to audition a plethora of equipment -- often @ home; this keeps investment down and the family financially happy, I suppose. It also allows me to contribute a few impressions here and there at A'gon -- which is fun and, hopefully, useful.

But, you know what? I miss the merry go round. Music & books are my daily food; equipment, my hobby -- and I enjoyed it! I didn't want to get off -- I mean, crazy systems like Detlof's (D, pls don't send the Swiss artillery yet) get me going... I wouldn't mind Kelly's Boulder either, A-Porter's pre, a pair of Osiris, and FM Acoustics' big pre with modified power supply.
For the time being, I'll have to content myself with listening to some of these items.

Something is always better than nothing... and, after all, I'm lucky to have what is now playing!

Enough banter, cheers everyone!