Dgarretson wrote:
This is a very interesting observation. I have never seen someone point this phenomenon out before, but it is consistent with my own experiences. As things have improved in my own system, I have noticed that dynamics are embodied in instruments rather than being "superimposed" on top of the whole sound field. The result is a more lifelike presentation. It is a very hard thing to describe.
I am not exactly sure how it relates to neutrality, though. I would have been more inclined to think of this change as an improvement imaging or in resolution. Can you say a little more about your view on the link between this phenomenon and neutrality?
...movement toward neutrality implies a more organized presentation. The notion of ORGANIZATION is not far removed from Bryon’s notion of distinctness...One aspect of an organized presentation is that dynamics are more precisely expressed through instrument bodies. Absent this natural sense of embodiment, dynamics tend to travel on their own envelop apart from instruments. This seeming dislocation of dynamics from instruments can be a bumpy & disorganized ride. In contrast, with NATURAL EMBODIMENT there is a sense of heightened control and containment of dynamics within the three dimensional boundaries of instruments.
This is a very interesting observation. I have never seen someone point this phenomenon out before, but it is consistent with my own experiences. As things have improved in my own system, I have noticed that dynamics are embodied in instruments rather than being "superimposed" on top of the whole sound field. The result is a more lifelike presentation. It is a very hard thing to describe.
I am not exactly sure how it relates to neutrality, though. I would have been more inclined to think of this change as an improvement imaging or in resolution. Can you say a little more about your view on the link between this phenomenon and neutrality?