Trelja -- Is 100 - 110 Db necessary to replicate the full dynamic scale of an orchestra? Having sat in the orchestra with SPL meter in hand, even Wagnerian climaxes barely nudged into the 95- 97 Db range, orchestra in fullest throat. I think what happens is that people confuse the sheer volume pressure of air being moved by the orchestra with loudness (even a soft tympani strike will move lots of air, albeit at very low volume) -- and no home speaker of any stripe will reproduce that effect with realism, horn, planar, or dynamic design. So instead, the volume control moves skyward to compensate, to give us that feeling of being enveloped in huge masses of air -- and we wind up listening at levels that far exceed the actual concert levels (please note that this applies to an unamplified symphonic concert orchestra -- the last Who concert I attended went waaaay over 110 Db, but then, my ears rang for quite some time afterward! Have you ever left a 3 hour Mahler concert complaining of the loudness?). So in my former living room, peaks in the mid-nineties were indeed sufficient to reproduce realistic levels, i.e., the actual concert level -- but as noted, no speaker will allow you to believe that 120 instruments are playing in that same 10' x 20' room.
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- 43 posts total
- 43 posts total