Halcro wrote- "When I began my journey in high-end audio 36 years
ago….no-one ever wrote about arm and cartridge matching nor tonearm
resonant frequency…"
I've been into audio slightly longer- and I can't disagree more- maybe I read
different stuff but arm mass and stylus compliance and resonant frequency
were a well noted topic. I was urged not to buy a particular cartridge by a
local hifi shop as I was told its compliance was too high for the tone arm on
my Kenwood table.
There was a company- I don't recall who it was, that made a device that
attached to a head she'll that damped tone arm resonances (a small piston
device thatvattached to the headshell and made contact with the LP- who
made that?). Let's also look at the damper on the Shure V15 type 4- also
their to address this issue. Then there's this 1973 article.
http://www.aes.org/e-lib/browse.cfm?elib=1950http://www.aes.org/e-
lib/browse.cfm?elib=1950
ago….no-one ever wrote about arm and cartridge matching nor tonearm
resonant frequency…"
I've been into audio slightly longer- and I can't disagree more- maybe I read
different stuff but arm mass and stylus compliance and resonant frequency
were a well noted topic. I was urged not to buy a particular cartridge by a
local hifi shop as I was told its compliance was too high for the tone arm on
my Kenwood table.
There was a company- I don't recall who it was, that made a device that
attached to a head she'll that damped tone arm resonances (a small piston
device thatvattached to the headshell and made contact with the LP- who
made that?). Let's also look at the damper on the Shure V15 type 4- also
their to address this issue. Then there's this 1973 article.
http://www.aes.org/e-lib/browse.cfm?elib=1950http://www.aes.org/e-
lib/browse.cfm?elib=1950