yure rite about the price of the s/f line 3 - sorry, dunno what i was thinkin' - mebbe i was tinking about the retail price of the rogue, w/fono... $2750, shipping included, was the lowest price quote i got on this prior to buying the melos (it was also a preamp i was considering).
as far as cost goes, music-directors' last retailed for $4600 new (line-stage only - $7400 for l/s & fonostage). but, i paid only $2k for my line-stage. i'd love to try a bat vk 50se, but as i can't afford one even used, it's kinda a moot point for me. if yure tryin' to say that the melos *should* out-perform the rogue cuz its retail price is more than double the rogue's, well yure right - it should, & it does, imho! :>) but the cary slp98, which is comparable in price to the rogue, also outperforms the rogue, imho, & is more flexible, at least for me.
as far as mark & the rogue, i'm not sayin' anyone's lyin'. all i know is that 100 ohms output impedence means that placing a 100 ohm resistor across the outputs should correspond to a 3db drop in volume - which is the change in level that's generally considered to be the smallest change audibly distinguishable by a casual listener - anything smaller becomes gradually more difficult to perceive. well, i placed a 2.2k-ohm resistor across the outputs of the rogue, & the drop in level, while not measured w/a db-meter, was *easily* noticeable - it was *at least* 3db, indicating a much higher output impedence. as i said before, it could also be the 17'-long interconnects that were contributing to the problem in my system.
i'm glad you enjoy the rogue, i know there are others out there who think it's great, too, & i'm sure y'all's hearin' is yust fine. not to be disrepctful, but i yust tink there's others out there that are better, for the same money, especially if yure willing to purchase used.
regards, doug