I agree that you need full range high quality speakers to be able to get by with two channel for movies -- but -- I also stand by the argument that you're more likely to be able to acquire that type of two channel system if
you don't have to spread your money over five or seven channels. I disagree with the argument that there is too much going on in movies for two channels. If your two channel system can resolve a Mahler Symphony, it can certainly resolve a movie sound track. But, if your taste runs to Star Wars
and Matrix type movies -- then two channel will not give you the same sensation. I just don't find myself watching movies like that. I watched them when I first got my surround system -- and there are about 10 movies that
will really give your system a work-out -- then I didn't go back to them. In
fact, I didn't even watch the entire movies. You end up watching the Pod
Race from Star Wars, the shoot-out scene in Matrix, the first five minutes of
Twister, and a few others. Most movie sound tracks don't even use the rear
surrounds or Sub-Woofer. In fact, when I think about it, there is some irony
in the fact that some people believe that there isn't enough music on SACD
to justify switching -- even though there are some 1,800 titles, while there
are only about 10 movies that really justify a surround movie system. And -- at that -- only a few scenes in those movies. Just my opinion.
you don't have to spread your money over five or seven channels. I disagree with the argument that there is too much going on in movies for two channels. If your two channel system can resolve a Mahler Symphony, it can certainly resolve a movie sound track. But, if your taste runs to Star Wars
and Matrix type movies -- then two channel will not give you the same sensation. I just don't find myself watching movies like that. I watched them when I first got my surround system -- and there are about 10 movies that
will really give your system a work-out -- then I didn't go back to them. In
fact, I didn't even watch the entire movies. You end up watching the Pod
Race from Star Wars, the shoot-out scene in Matrix, the first five minutes of
Twister, and a few others. Most movie sound tracks don't even use the rear
surrounds or Sub-Woofer. In fact, when I think about it, there is some irony
in the fact that some people believe that there isn't enough music on SACD
to justify switching -- even though there are some 1,800 titles, while there
are only about 10 movies that really justify a surround movie system. And -- at that -- only a few scenes in those movies. Just my opinion.