Best of value-based systems


As a long-time audio enthusiast, I have watched with interest as the hobby has evolved from a budget-driven search for the best sound, to a hobby that seems increasingly driven by how much expendable income one has. No offense meant to the younger 'philes with lots of techno-money, but simply buying expensive gear isn't what the audio hobby is all about. Most of my system has been assembled from used equipment, with a strong emphasis on VALUE for the dollar. Hence, I have largely eschewed "audio jewelry". I'd be very interested in hearing from others who have built systems on the concept of most "bang for the buck". What components do you think provide the maximum quality/audio return for the dollar?
sdcampbell
Hi SD. I am new to this forum, Sluggo also ticked me off a while back. I got over it and have to admit that I find his slash and burn posts pretty funny most of the time. I am also a die hard potlicker whether it be the purchase of a car, a bottle of shampoo or stereo equipment (art is my only soft spot, though I have sold a couple of paintings to fund our current system). Fifteen years ago I was using tube gear and the best bangs then were Eico (HF81), Dynaco (Stero 70's and the Pas3x) and McIntosh (Mac 30's). Currently this equipment is a lot more expensive and considering that most of it needs a good overhaul plus the expense of quality tubes it does not represent the value that it once did (for example I picked up a pair of Mac 30's for $140.00 in 1974). I feel that I have achieved a lot of "bang" in my new system. I went with a Musical Fidelity X-A1 for the amp and find that it has the kind of midrange that I am most comfortable with plus grainless highs and a linear bass, and for not a lot of money either. I finally found a pair of the Musical Fidelity X-A50 monoblocks and will soon be able to bi-amp our little Castle Acoustic Isis speakers. I am so pleased with both the sound and the style (it's a living room system and I like being married to my wife) of the MF gear that it is going to stay around for a long time. I picked up the Castle speakers as a kind of low cost replacement for my old Harbeth BBC moniters. I like them more in the high and low end and they are pretty close in the midrange, closer than most that I have auditioned. They do sound brighter even in a well damped room which could be due to using CD's instead of vinyl as a source. I have not made up my mind yet on the speakers. Now that I have added Vibrapods, cheap power conditioning (Monster 2000) and a Harmonic Tech power cord to my Cal Ikon MKII, it sounds very musical. I like it more than the expensive Arcams that I auditioned. My favorite reasonably priced player (for the quality of sound) so far has been the Theta Miles and the CAL (with these little extras) is close enough for me to wait until the future format of CD's is decided before I replace it. By the way, before the tweaks I was not satisfied with the sound. I purchased a used Audio Refinement CD Complete that I also liked (it was a toss up between it and the CAL) but I ended up giving it to my stepson to replace a cheap changer that we gave him when he was still in highschool. The biggest bang that I have run across so far are the Homegrown Audio Super Silver interconnects at $60.00 to $70.00 a pair or less if you want to solder them up yourselves. I recently purchased a pair of used Harmonic Tech. Truthlink interconnects for older/tinny CD's and a change of pace. Something that I am also looking forward to is putting together a small tube system for the spare bedroom which will also become an office if I end up going the self employment route. I was able to listen to one of the Decware Zen amps on a pair of Klipsch Chorus's. These were the only high efficiency speakers that I had access to and we used the preamp section in my MF integrated for the front end. I thought that the amp sounded super. I just have not been able to figure out a "small" highly efficient speaker for this setup. Maybe an old pair of ADS 500's or the little Gallo Micro system? Anyway has anyone heard this little SET? That is all.
Dekay: I listened to the Isis speakers and found them very bright. they were fine when listening to classical and jazz, but as soon as I played some good old rock and roll, it became evident the highs were etched. I think even if you listen only to classical that these speakers would be very fatiguing. In other words, I don;t think it's your source, IMO.
Hi Exley. It's always good to hear a "like" opinion on a product. The funny thing about these little boxes is that they really kill on classical music, it's what they do incredibly well. The problem that we have been having is with some popular music including R&R (as you mentioned) and of course so so recordings. I am currently using Kimber 4VS cable and would like to experiment with something a little more musical when I bi-amp. Maybe (used of course) Analysis Plus or Audioquest cables. Maybe a new thread on the subject, if anyone can stand another bi-amp query about warm organic speaker cables on a budget. Who knows, maybe I'll drive by Sluggo's tag sale and hit pay dirt. I have also been auditioning the Soliloquy line and would like to audition Duntech and PSB as well. Other than price limitations I also need stand mounters due to five very industrious male house cats.
Mr. Campbell- Thought-provoking thread. I'm w/you regarding bang-for-buck equipment/system. OR as another post said "try to get the best performance w/the least amount of dough". But before you think I'm toying around w/NaD-quality gear, let me say my system retails for 20k but "only 14k" out-of-hand. My $3300 VAC triode tube amp I bought used for $1700. My $1700 transport, I got brand new for $900. My $3800 speakers, I got just before the price increase, so they set me back $3500. but I did get compensated W/$600 worth of cabling that replaced by prior reference. So while I would not call my system budget or reference quality it keeps me happy. Echoing your later post, I believe value-based prOducts would attract more consumers who can only shake their heads at the prices of our gear, even if they cvan afford it. They have not become accustomed to paying this kind of prices for stereo equipment. Now there will always be those that base the value of their system on cost only. We know that reflexs nothing on the actual performance as a music producing system. But we also know that system-building is very hard- earned skill, once mastered, you can save yourself alot of bucks. Intelligence, sensitivity, dilegence and faith build great systems not big bucks. peace Mike mwalsdor@cscc.edu