Kublakhan - thanks for the heads up on the ELAD! The other components listed I have actually owned, or at least heard extensively.
I occasionally see deals on older Conrad-Johnson pre's and know this brand more by rep than by audition, especially the older models. Feedbback anyone?
It seems there are a lot of planar and electrostats around $ 500 or so used now. The acoustats, apogees, and even an occasional Soundlab show up. The caveat is that you must have good juice, low impedance capability and lots of muscle to do them justice, with very few exceptions. And some are notorious for arcing(yikes!). I have heard the acoustats and apogees in the past, Loved the acoustats on female vocals and small ensembles. Loved the apogees on orchestral(the big apogees that is), but that was with Rowlands pushing them, so kiss that budget goodbye.
Will a $ 500 Hafler do justice to those used ribbons? H-m-m-
BTW, has anyone heard the $ 250 or so new Dana 1's or 2's?
Are they still in business? Should they be?
I occasionally see deals on older Conrad-Johnson pre's and know this brand more by rep than by audition, especially the older models. Feedbback anyone?
It seems there are a lot of planar and electrostats around $ 500 or so used now. The acoustats, apogees, and even an occasional Soundlab show up. The caveat is that you must have good juice, low impedance capability and lots of muscle to do them justice, with very few exceptions. And some are notorious for arcing(yikes!). I have heard the acoustats and apogees in the past, Loved the acoustats on female vocals and small ensembles. Loved the apogees on orchestral(the big apogees that is), but that was with Rowlands pushing them, so kiss that budget goodbye.
Will a $ 500 Hafler do justice to those used ribbons? H-m-m-
BTW, has anyone heard the $ 250 or so new Dana 1's or 2's?
Are they still in business? Should they be?