Which cables go with what?????


I never fails to amaze me, the questions people ask on this forum, always trying to find some synergy between cables and their components/speakers.

The fact is: there are two classes of cables:
1) Those that are neutral
2) Those that impose a sonic signature (tone controls of a sort)

If the average audiophile spent his time trying to weed-out the tone control cables and get some neutral cables, then all that would be left is to determine the right synergy between his or her components. This may mean elimination of an offensive component, as painful as that sounds.

Component synergy is real. Amps and speaker combinations definitely need to be selected carefully. In some cases also preamp-amp synergies are important. If you are using tubes, then there are even more compatibility issues. But cables, forget it. If you are trying to compensate for a poor component or speaker design by using tone control cables, you will probably never be happy and likely compromise the sound of the other components in the process. You will certainly never approach a live or "master-tape" sound. There, that's my editorial. Hopefully some will learn from it.
audioengr
Nighthawk:

That was my point earlier on. These guys need dealer support to sell their wares and leave the forums to the hobbyists.
Based on their posts here; maybe they don't have enough customers to keep them busy.
Audioengr: The system that you've built and use for reference purposes ties in with Leme's response about gear selection. Having said that, do you think that your gear / system is representative of the majority of components / systems in use today ? I don't and that's why i disagree with the majority of your statements. Those theories and statements are based on optimal conditions with gear that is designed to the "nth" degree. Since most people lack the technical insight that an engineer does, their selection of gear is more likely to be less optimally matched and / or designed. Looking at your statements based on the assumption of near perfect conditions, i might not disagree as heartily as i do when i take reality into account and think about the types of systems that most people are running. Sean
>

PS... How many parts are in the crossover network of your speakers ? You probably don't have enough fingers and toes to count them all.....
Sean:
Maybe this will help; it took us three years to build a ported dynamic speaker with no x-over. Every speaker manufacture we took the project to said it was inpossible. The major reason the speaker works is due to a huge advancement in power cord design. This shows an inherent relationship between power cable performance and its effect on the total system. Without a stable power flow nothing else can function properly.This synergy thing is a bunch of dung, there is a reason for everything and when it is beyond our understanding we call it synergy etc.
I know it is hard to grasp without hearing the reality but A-Bs are difficult to do over the internet mabe you and Audioengr can figure that one out.
There are many strange relations in the audio chain that contemporary engineering has not accounted for and the more I say the more bazaar it is going to appear.