I took a class in freshman year in college: Sound Sense and Idea. A musicology class that is. We read the book, as well as another one I don't remember...
You should read the book. I'm pretty sure analog will start making sense to you.
From your posts I think you could benefit from getting truly emotionally involved with the music. I had my reality check which awakened me many yeas ago...that's one of the reasons I use a modded 1200 instead of a belt drive. I have made a discipline of getting involved with the music, not the equipment. I do have a cultivated ear, but the music goes first. I truly enjoy my Svetlana and Dvorjak's Columbia Classisc LP after all these years of impulse noise being accumulated. I get connected to the spirit of the music. That's what's really important. That's why I've chosen my components to be musical above any other quality. I have a friend who's into really high end stuff*, but he ALWAYS drools with my software, ¿comprende? "Where do I get all this music" is his question...
* B&W 801's, Krell Class A beast, Klyne SK-5A preamp, SOTA vacuum TT, etc.
You should read the book. I'm pretty sure analog will start making sense to you.
From your posts I think you could benefit from getting truly emotionally involved with the music. I had my reality check which awakened me many yeas ago...that's one of the reasons I use a modded 1200 instead of a belt drive. I have made a discipline of getting involved with the music, not the equipment. I do have a cultivated ear, but the music goes first. I truly enjoy my Svetlana and Dvorjak's Columbia Classisc LP after all these years of impulse noise being accumulated. I get connected to the spirit of the music. That's what's really important. That's why I've chosen my components to be musical above any other quality. I have a friend who's into really high end stuff*, but he ALWAYS drools with my software, ¿comprende? "Where do I get all this music" is his question...
* B&W 801's, Krell Class A beast, Klyne SK-5A preamp, SOTA vacuum TT, etc.