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Absolute top tier DAC for standard res Redbook CD

Hi All.

Putting together a reference level system.
My Source is predominantly standard 16/44 played from a MacMini using iTunes and Amarra. Some of my music is purchased from iTunes and the rest is ripped from standard CD's.
For my tastes in music, my high def catalogues are still limited; so Redbook 16/44 will be my primary source for quite some time.

I'm not spending DCS or MSB money. But $15-20k retail is not out of the question.

Upsampling vs non-upsampling?
USB input vs SPDIF?

All opinions welcome.

And I know I need to hear them, but getting these ultra $$$ DAC's into your house for an audition ain't easy.

Looking for musical, emotional, engaging, accurate , with great dimension. Not looking for analytical and sterile.
mattnshilp
mattnshilp OP
917 posts
 
The Aeris will be done burning in on Tuesday 6/24. That'l put 600 hours on it, which apparently is what it needs to really shine.

Having owned (and still own - up for Sale) a Rowland Capri S2 preamp I can confirm that Rowland gear really takes a long time to reach full potential. Fortunately, Guido was kind enough to nicely burn in my Criterion before selling it to me.

I will post next when the OverDrive SE and DS arrive.

mitch2
4,162 posts
 
I am enjoying this thread and look forward to hearing about more comparisons leading up to your final DAC choice Matt.

I feel fortunate to have started with the Metrum Hex which, at about $3.5K fully loaded, I believe may represent a sweet spot between outclassed lower priced DACs and the higher priced state of the industry DACs being discussed in this thread. I did try the Lampi L4G4 with Duelunds but, in direct comparison, I liked the sound of the Hex better.

I will be interested in hearing about your Rowland vs. Overdrive comparison since my next DAC upgrade will likely be another solid state unit. I will also be interested in hearing whether you believe the Offramp improves the sound of the DACs in your shootout.
guidocorona
4,298 posts
 
Hi Matt, it is likely that Rowland Aeris will continue to bloom until, or possibly through, the 800 hours mark.

With any component, Until a device is fully stabilized, there is the danger of mistaking temporary early artifacts as sonic signature.

G.
charles1dad's avatar
charles1dad
10,250 posts
 
What is it about the design or part selection of the Aeris that requires an enormous 800 hour burn in? Just curious,Seems a bit over the top.
Charles,
jwm
918 posts
 
I think if you listen to a component long enough like 800 hours you get use to the sound. Its not until another person hears the system and points out that the sound is thin or the bass is boomy or the midrange is dark.
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