Good, Neutral, Reasonably Priced Cables?

Oz, you're starting to sound like Sean! I have changed...I've learned at the very last minute that my system must revolve around the cables, not the other way around. Robert Schult of Ridge Street Audio was the person that got me thinking like that.

Dodge, you're setting yourself up for a trip to Hi Fi hell...

***

You asked about specific cables, so i'll share my thoughts on them in the order you listed them.

To me, Kimber's silver cabling has all of the "bad" connotations that one reads about silver. That is, it comes across as being lean, bright and edgy. Even with months worth of burning, i can't tame these cables. Having said that, their Copper / Teflon cables are quite respectable in most cases.

I am not a fan of the sonics of AP cables or their design at all. As such, i would pass on them. I don't think that they would be a good match for your system anyhow.

I think that the Cardas could work well with your specific system.

I'm not familiar with the Wireworld stuff, so i'll shut my mouth here.

Outside of those and with the components that you have listed, i would probably shoot for Pulsar's as IC's and Goertz MI-2 Veracity speaker cabling. I don't know how much you've played with the tubes in your gear, but if they are basically stock, you should be in good shape with this combo. If the Pulsar's don't do it for you, try looking for some used Music Metre interconnects. Using the Pulsar between the CD & Preamp and a set of Music Metre Calibre's between the Preamp & Amp ( or vice-versa ) might work well also. Sean
>

Psychic: I don't what to say about your theory of building a system around a series of passive components ( cables ). In fact, i think that someone joked about this in a thread a while back i.e. "I have Brand X cables. What components and speakers would go good with them?". While I can understand how / why someone would joke about something like that, i truly can't understand how someone could consider wire more important than the active components within a system. This is especially true when you have hundreds of traces / solder connections / pieces of wire running inside of each component.

Sounds like a planned trip to hi-fi hell.... Sean
>

i would strongly suggest staying with a "mainstream" know used cable. if it doesnt work in your system, you can always sell it for what you have into it.

i dont mean to sound pompus, but i have yet to hear a well rounded, neutral cable for less than $500 retail. i thing the audio world is waiting for a killer $200 - $300 retail cable that is neutral, but i am not holding my breath.

if a manufacture has one, i am very interested and would write a honest review (check my feedback here and on ebay- over 225 positive transactions). i would love to run across a reasonably priced neutral cable, but they dont exist- small cable manufactures please accept this a gentle challenge and prove me wrong. btw, i consider my system to be a "real world " system:

Audio physic libra's
classe cam mono 350's
pse hl-1 signature / bat vki-30
marantz sa-8260

the au-24 is the $500 retail cable that is reference quality that i have run across and i have heard it in all audience wired system ( audience has a very generous auditon policy) it has been compared to the vahalla and other cables costing 2x-4x the cost in both written and online reviewers and found the reviews to be spot on. btw, the audience power cords are friggin amazing.

there are other neutral cables out there, but they cost alot...even used. the xlo signature II and the upper end synergistic line come to mind.

hope that helps.

best regards,

mike

I'VE USED MANY CABLES RANGING IN COST FROM $25/METER TO THOUSANDS/METER. RCA & XLR. ALL ARE ALTERING FREQUENCY RESPONSE IN SOME WAY TO ACHIEVE STATED CLAIMS.
PRESENTLY, I'M USING SYNERGISTIC RESEARCH DESIGNER SERIES,
THAT SAID, MY BASELINE REFERENCE FOR ANY CABLE COMPARISON IS THE MOGAMI CABLES. IT IS RIDICULUOLY CHEAP (I PURCHASED CUSTOM MADE PAIRS (1M & 3M OF AES/EBU 110 OHM GOLD -IT HAS LOWER CAPACITANCE THAN THEIR MICROPHONE CABLE.
IT OFFERS A CLEAR VIEW OF THE ACOUSTIC & DURING EVALUATIONS REVEALS WHAT OTHER CABLES ARE DOING. THIS CABLE , ALONG W/THE MOGAMI MICROPHONE CABLES ARE IN RECORDING STUDIOS THROUGHOUT THE WORLD.
MOGAMI AND REDCO HAVE INTERNET SITES.