Though I'm not familiar with the unit Warren is talking about, I will say concerning power conditiong that of all my source compenents, by far the most marked differences to be heard were realized with my digital separates. But an equally important aspect of that treatment to the filtering was running balanced AC. I have an API Power Wedge Ultra, which lets you switch on the fly between +120/-0 and +60/-60, and it really shows its worth on CD playback, even when I engage balanced on only the transport, the jitter-box, or the DAC individually, and the effects add right up when all three are fed the balanced AC together. (By contrast, I can tell no difference between balanced and regular filtered AC when supplying it to my tube preamp.)
Musical Fidelity A324 DAC as good as Tellig says?
I was wondering if anyone out there has purchased or heard the new Musical Fidelity A324 Upsampling DA Coververter yet? Sam Tellig raved about it in the April Recommended Components Issue of Stereophile. He placed it firmly in "Class A" saying it was about as good as any digital he's ever heard, at any price! And all for $1195. I have got to hear one of these units. I am currenly using a Arcam FMJ CD23 and I love it. I wonder how much of an improvement I might realize adding to the MF to my system. Any thoughts, comments, rants would be greatly appreciated.
cheers!
bobC
Arcam FMJCD23
Melos Maestro Preamp
Musical Fidelity A3cr PowerAmp
B&W Nautilus 803's
Rel Strata Sub
Kimber select 1021 IC's
Kimber Monocle XL & Select 3033 (bi-wire)
Kimber PK 10 Gold Power Cables
cheers!
bobC
Arcam FMJCD23
Melos Maestro Preamp
Musical Fidelity A3cr PowerAmp
B&W Nautilus 803's
Rel Strata Sub
Kimber select 1021 IC's
Kimber Monocle XL & Select 3033 (bi-wire)
Kimber PK 10 Gold Power Cables
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- 17 posts total
- 17 posts total