Update:
I spent 3 hours listening to the Aeris and the Big6 today. I started with the Big6 this time.
I am waiting to clarify a driver download question with Steve, and then I will get the OverDrive SE up and running.
I have to say that if some think the Big6 is limited on the top end or has any lack of bottom end because of its tube genetics, they are wrong. The highs are extended, complex, detailed and made the hair on the back of my neck stand straight time and time again. The base is deep, full and rich; and left me wanting for nothing. Yes, the Aeris controls the lower end a bit more tightly and it has a tad more punch, but I would say the Big6 is more natural on the bottom end, more "live". In fact, that sums up the biggest difference between the 2; the Big6 persistently gave me a more "live" presentation. The midrange is clearly warmer then the Aeris; but its not colored, it's just music.
I found vocals to shine most on the Big6, while classical passages/movie soundtracks, and rock and roll sounded better on the Aeris. Jazz and Blues were equally engaging on both, just different.
The Aeris is more accurate, more defined. The soundstage of the Big6 is deeper and wider with the Aeris although not by much, but the Aeris does a better job of giving each performer's defined position in that space. The Aeris seamed to highlight the subtle differences between quiet and loud passages with a better sense of dynamics, but again it was not by much.
After hours of going back and forth I came to the thought that the differences were not in live vs recorded or hifi vs warmth, they were more like listening to the music in different venues; or even the same venues with difference acoustic treatments. A jazz club with 50 patrons, or 200…. Carnagie vs Vienna Opera House…
As with any tube rig, I understand that rolling tubes will allow me to fine tune the sound. I also understand, JaFox, that the UN 99 made a dramatic difference to you; and I sincerely appreciate your generous offer. But I don't think the Big6 needs to be improved upon, it's stunning as it is (at least in my system). Rolling tubes will only change the flavor of the magic.
I could keep either and never even think of listening to another DAC. Anyone who is reading this could buy either and live happily ever after. But I need to deiced which to keep of these 2, and I decided to keep the Aeris….
And here's why…
1) I think the Aeris is still young and will offer even more as time goes on
2) The build quality of the Big6 is excellent, but he Aeris is a tank built by Cartier.
3) I liked the tone that the Aeris imparted a bit more then the Big6 in my system. This is totally personal and has no objective foundation. To me, I fell into the music and forgot I was auditioning gear more frequently with the Aeris.
4) Eventually I will either move my gear to a dedicated room, or treat my room with acoustic treatments to control the reflections a bit better. My room will soften up a bit as a result and I am worried that the Big6 will soften too much.
5) Lampy is a brilliant designer and they now have distribution in the US. I expect them to grow and stabilize. But, and I HATE saying this, I am ever concerned about the stability of a small Polish manufacturer is this crazy economy and long term maintenance is a concern.
6) I like buying US when I can. Call me a gun toting, card carrying patriot. But if I can get equal performance and enjoyment out of 2 options I will try to go US built when I can.
So that's it. Step one is compete. I have made my first decision. I am sure many of you are unhappy with it. I think I have given these 2 enough time to make an educated and reasonable decision. I know some think I need weeks to months to truly compare, but I have neither the patience nor the time to do that. I want to get back to just listening and enjoying.
Now I am down to the Aeris, the OverDrive SE (which is the next showdown), the PS Audio DS and the Aesthetix.
All of these are made in the US.
Rowland, PS Audio and Aesthetix are huge companies and are very stable. Empiircal Audio and Steve have been around for a LONG time and even if his company folds (which I highly doubt will happen), he will be around and available to service his gear for a long long time, right here in the US. In this regard, the OverDrive is the only underdog, sort of.
OK, let the comments and complaints fly.
I spent 3 hours listening to the Aeris and the Big6 today. I started with the Big6 this time.
I am waiting to clarify a driver download question with Steve, and then I will get the OverDrive SE up and running.
I have to say that if some think the Big6 is limited on the top end or has any lack of bottom end because of its tube genetics, they are wrong. The highs are extended, complex, detailed and made the hair on the back of my neck stand straight time and time again. The base is deep, full and rich; and left me wanting for nothing. Yes, the Aeris controls the lower end a bit more tightly and it has a tad more punch, but I would say the Big6 is more natural on the bottom end, more "live". In fact, that sums up the biggest difference between the 2; the Big6 persistently gave me a more "live" presentation. The midrange is clearly warmer then the Aeris; but its not colored, it's just music.
I found vocals to shine most on the Big6, while classical passages/movie soundtracks, and rock and roll sounded better on the Aeris. Jazz and Blues were equally engaging on both, just different.
The Aeris is more accurate, more defined. The soundstage of the Big6 is deeper and wider with the Aeris although not by much, but the Aeris does a better job of giving each performer's defined position in that space. The Aeris seamed to highlight the subtle differences between quiet and loud passages with a better sense of dynamics, but again it was not by much.
After hours of going back and forth I came to the thought that the differences were not in live vs recorded or hifi vs warmth, they were more like listening to the music in different venues; or even the same venues with difference acoustic treatments. A jazz club with 50 patrons, or 200…. Carnagie vs Vienna Opera House…
As with any tube rig, I understand that rolling tubes will allow me to fine tune the sound. I also understand, JaFox, that the UN 99 made a dramatic difference to you; and I sincerely appreciate your generous offer. But I don't think the Big6 needs to be improved upon, it's stunning as it is (at least in my system). Rolling tubes will only change the flavor of the magic.
I could keep either and never even think of listening to another DAC. Anyone who is reading this could buy either and live happily ever after. But I need to deiced which to keep of these 2, and I decided to keep the Aeris….
And here's why…
1) I think the Aeris is still young and will offer even more as time goes on
2) The build quality of the Big6 is excellent, but he Aeris is a tank built by Cartier.
3) I liked the tone that the Aeris imparted a bit more then the Big6 in my system. This is totally personal and has no objective foundation. To me, I fell into the music and forgot I was auditioning gear more frequently with the Aeris.
4) Eventually I will either move my gear to a dedicated room, or treat my room with acoustic treatments to control the reflections a bit better. My room will soften up a bit as a result and I am worried that the Big6 will soften too much.
5) Lampy is a brilliant designer and they now have distribution in the US. I expect them to grow and stabilize. But, and I HATE saying this, I am ever concerned about the stability of a small Polish manufacturer is this crazy economy and long term maintenance is a concern.
6) I like buying US when I can. Call me a gun toting, card carrying patriot. But if I can get equal performance and enjoyment out of 2 options I will try to go US built when I can.
So that's it. Step one is compete. I have made my first decision. I am sure many of you are unhappy with it. I think I have given these 2 enough time to make an educated and reasonable decision. I know some think I need weeks to months to truly compare, but I have neither the patience nor the time to do that. I want to get back to just listening and enjoying.
Now I am down to the Aeris, the OverDrive SE (which is the next showdown), the PS Audio DS and the Aesthetix.
All of these are made in the US.
Rowland, PS Audio and Aesthetix are huge companies and are very stable. Empiircal Audio and Steve have been around for a LONG time and even if his company folds (which I highly doubt will happen), he will be around and available to service his gear for a long long time, right here in the US. In this regard, the OverDrive is the only underdog, sort of.
OK, let the comments and complaints fly.