Power cords


Is there any truth to the following which, as you can tell from the quotation marks, is not my brainchild (my brain is childless...). I picked it up from the site of a well respected amplifier manufacturer and trust I am not committing some sort of legal or moral transgression by reproducing it here:
"When you plug your power cord into the wall outlet you are in 'SERIES' with all the wire on the other side of the wall all the way back to the power source. The small length of power cord from the wall to the amp is insignificant compared to the miles of wire it is connected to. As long as the power cord can deliver the current and voltage required to drive the amplifier to full power it is as good as it can get."
pbb
I'm sorry, but anyone who doesn't have direct and empirical experience on this subject should not be posting on this subject. I don't want to hear about your "scientific measurements" without at least some attempt at a real scientific method, which should require actually listening for yourself. Please, just try. It's easy and cheap enough to pick up some quality off the shelf shielded cable (belden 83802..) and a couple of quality connectors (really, any brand's hospital grade..) then sit back and listen.. huh.. sounds good! better then the stock cable! WHY does it sound better? I DON'T CARE. it just does. In the end, we're talking about MUSIC reproduction, and nothing else really matters.
Sugarbie, your posts sum it up nicely. POWER CORDS DO MAKE A DIFFERENCE. Even if you have a P600 or 'Perfect AC' they make a HUGE difference, especially on Digital equipment and High powered amps.
Sugarbrie: Who has made a perfect copy of a Stradivarius? There is no such thing. Violins are acoustical devices; we're talking about a cable here, which can usually be reproduced for a few bucks, if you can live without the high-end label.
An interesting article where an army of scientists and experts cannot figure out if a certain Strad is real is at: http://www.metropulse.com/dir_zine/dir_2001/1107/t_gamut.html

Another different article at: http://www.maestronet.com/wwwboard/messages/3565.html


The thing that puzzles scientists is it should be easy to make a Strad copy with today's technology, but somehow it never seems to work. Remember, even all Strads do not sound the same.

As far as cables, I have on more than one occassion purchased more than one of the same cable, and they all do not sound the same either.

The one thing never measured or questioned is the hearing ability of the particular listener. Maybe they just can't hear a difference or don't know what to listen for. In some ways you save a lot of money having average hearing.

Well I don't know much about fancy violins but I have a few old Gibson and Martin Geetars and it's pretty clear that nobody is able to duplicate those for several reasons. One is that the wood is no longer available for the most part and the wood ages with time. Second, every fine instrument has its own voice. Most folks would consider "replicating" such an instrument as simply out of the question. A new copy of a two hundred and fifty year old wooden instrument can never be a "perfect copy." With all due respect Sugarbrie (and I do respect your knowledge of classical music greatly), that's silly.

I will leave the cable cabal to ya all.

Sincerely, I remain