Following on Sean's ideas, if you have bi-wire speakers you could try just the "shotgun" set up for the lows and "norman" bi-wire on the top to reduce the effects that he and both Garfish suggest in the soffened high end but perhaps with the greater bass controll that the shotgun "could" provide with some cables. Again to use Kimber 8TC as an example(it works well to illustrate it since it has no real outer jacket to hide what is going on inside,black normaly used for the - side and blue used for the + side) it would be two runs(one for+ and one for -, both black and blue combined, ) to the bass and a single run to the top on each side(with the black and blue wires seperated as normal) for a total of 6 runs of cable.
Benefits and Drawbacks to Shotgun Speaker Cables
Hello everybody, just wondering what the technical differences are between Shotgun and normal speaker cables. I know there are two cables instead of one. I'd like to know the technical differences, like conductance measurements etc... Also, what experiences have you had with Shotgun speaker cables? What was the biggest change that it brought to your system?
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- 39 posts total
- 39 posts total