interconnect suggests under 300 used.


I just spent my allowance on upgrading my system. What is left are cables suggested by the forum. My budget is spent so would like the best cable available for under $300 used (1m pair/xlr)with all mark levinson equipment and electrostatic speakers. I am using monster cables now.I have not received the ML390 yet but the cables i am using are medium grade monster IC with RCA connections. If I can afford a better cable if going with a rca connections should I?
electrostaticman
I agree Gunbei. I don't know the posters personal taste, so I just try to recommend cables that seem pretty neutral to me. They'll pass through the signal pretty clearly, so they will sound good with whatever his taste is and his equipment is. I always feel colored cables are fine for someone who will probably never upgrade, but neutral cables are better in the long run for those are likely to upgrade at some point.

It works for me. I can try a new piece of gear and can be pretty sure I am hearing close to what it sounds like without something else coloring the sound.

In my experience there is no such thing as uncolored. I have never heard an amp, preamp, CD player, cable or other component which didn't lend at least a subtle sonic signature to the overall sound of the system it was in.

An often overlooked component in ANY system which is most certainly always colored to some degree or another is the room.

Of course there are components and cables which want to be closer to neutral than others but ultimately they too have an audible sonic signature - which can vary tremendously between different system configurations.

To me, music IS a coloration - it has body, weight, bloom, transparency, liquidity, texture, timbre, air... and what would music sound like if it were simply neutral? Seems boring... doesn't it? Music is comprised of so many opposites its difficult for any system to excel at both. Music is made of color and its the duty of a good system to faithfully reproduce music in all its glory.

What cables do quite effectively is balance a system with the environment to produce a sound which the listener can determine (based upon his/her preference & experience) as being more like REAL music.

It is much easier to balance a system with cables than it is to balance with excessive room treatment or various system components...it is ridiculous to expect that anyone's system is perfect. No two components make a perfect match in every case and it is less likely that any complete system is in-fact, perfect. Even in cases where someone uses components from one manufacturer they remain subject to what the manufacturer deems as the "correct" sound...which is never truly "neutral". Anyone in this hobby could tell you that every component manufacturer has their own idea of what music should sound like, hence their sonic signature - which is never truly neutral and in most cases never like REAL music on their own.

It takes the right seasoning to make any component sound its best.

Here is another question to ponder; what would food taste like if it was neutral? Yuck! We all like flavor don't we? But.. we all have different tastes.

I think its important that Electrostaticman understand the possibilities that await him and that he not limit himself to the solutions that worked for us. Of course we can provide guidance but none of us have his ears.

Electrostaticman, its my suggestion that you select one of the above mentioned cables and start your journey there. A world of possibilities await you. If your first cable doesn't suit you, sell it and try another. Every cable you experience will deliver a new vision into your system. It can be a difficult process but the end results are very rewarding.
Bwhite, very well said. Neutral. Colored. It's all relative to the listener. Currently, I'm locked in mortal combat with the challenges of my room's acoustics.

It seems Sugarbrie and I have a similar approach, in that we try to eliminate as many variables as possible, so we can add our different dashes of flavor via tuberolling.
Tube rolling is super effective but can be just as frustrating as changing cables, components or room variables. The trouble with tubes is - the tubes!! Good NOS tubes and the right ones can be hard to find, and sometimes are noisy (which adds an entirely new and unpleasant dimension to a system). For example - at our levels we may have spent loads of cash on power conditioning equipment in order to silence our systems - only to have noisy tubes - which can counteract results obtained by conditioning efforts. Shesh! Where does it end? :) I am getting a feeling it doesn't.

Really, there is no substitute for what the right set of NOS tubes can do for a system. But new tubes tend to be quieter and hence maintain that black background we all know and love.

It sounds like Sugarbrie has found his preferred flavor and now wants to ensure his cables don't mess things up.

This is a case of being soooooo close to where you want to be except... you aren't quite there. Building a system can be like playing Black Jack. You may have a 20 in your hand - do you hit and hope for an Ace? If you do, odds are you'll bust. At some point, we all must realize that this is as good as it can get without going over the top.