John,
Thanks for the kind references. I don't have your broad personal experience with arms and cartridges, but I certainly believe you that very few combos can track those silly cannons. I imagine even fewer can do so and also display a high degree of musicality on real music (of which that particular record contains exactly zero.)
My limited personal experience, however, has discovered at least one combo that can do both. My Shelter 901 on a Twl-modded OL Silver blasts through the cannons with no undue excitement or gymnastics, yet plays music that will break your heart. I'm only guessing that a 501mkII on the same arm might perform similarly, perhaps with slightly less bass response and top end detail.
I totally agree that the HFN record is of marginal utility for setting up good combos, but I think it's pretty good at showing up bad ones. If a combo does especially poorly on fairly simple test tracks, I'd worry about how it might handle the far more complex problems presented by real records.
Thanks for the kind references. I don't have your broad personal experience with arms and cartridges, but I certainly believe you that very few combos can track those silly cannons. I imagine even fewer can do so and also display a high degree of musicality on real music (of which that particular record contains exactly zero.)
My limited personal experience, however, has discovered at least one combo that can do both. My Shelter 901 on a Twl-modded OL Silver blasts through the cannons with no undue excitement or gymnastics, yet plays music that will break your heart. I'm only guessing that a 501mkII on the same arm might perform similarly, perhaps with slightly less bass response and top end detail.
I totally agree that the HFN record is of marginal utility for setting up good combos, but I think it's pretty good at showing up bad ones. If a combo does especially poorly on fairly simple test tracks, I'd worry about how it might handle the far more complex problems presented by real records.