The truth about interconnects - can you handle it?

Okay folks. I am kind of new here--oris that "hear"(?), but I am a quidk study. I suspect that anyone moving from Radshack, circuit city, good guys,etc. standard off the shelf cables to Acoustic Zen, Cardas, etc.-quality cables will hear a terrific differance. Perhaps this is enough. There are those of us who appreciateg great bass and especially vocals and there are some cables that might show some differance. I did change from Radshack digital RCA to Acoustic Zen and I am a believer! As far as speaker cables and comparisons, etc., the test is easy: Just wire one speaker with one cable and the other cable goes to the opposite speaker. you can even run the system on mono setting. If you like it, buy it.

Wires make difference on components that are not properly designed and tend to pick up and oscillate from already increased 21st century RF influence causing large circuit instability or even permanent damage.

Like in the old-day designes all you've got to do is not to let it be present in the input (piece of cake actually) with pennies worth of electronic elements. Tend to say that ALL audio circuits had been already designed and have a bunch of ways to avoid bias instability and RF influence.

For me as EE working in large financial institution(as a financial specialist) there is a very simple explaination:

Electronic specialists needn't reinvent any wheel nowdays. All the specifications on audio-electronic equipment jumped far higher than standards of High Fidelity and the question stays pretty clear: How to "resurrect" the dying after 80's audio market?

All you need(as a designer or manufacturer) to do is hook-up a dealer or few(market stability) explain him that you've got some outstanding own scientific conclusions and selected the best of the best to create this wire that should retail for the price of diamond necklace. Dealer is the one with commercial sting will add some "harmonic distortions" to transduce it with nice advertizing manner to his dumb client.

Yeah, wires and cables do "its best" for the ones who hears well and reads well commercial magazines to compensate simple and inexpencive circuit elements that should be present in every audio component but believe me they are not.

What drove me realy for my conclusion is despite my knowlege of electricity and signals I started to read magazines and started to develop some belief but...

I was CURIOUS to strip my Mainstream Hybrid expencive powercord and realized that it's OXIDED after one year of usage!!!!!!!! WHERE THE HELL IS 99.9999999999 OFC COOPER???
I also looked up in Home Depot power wires that I have a large roll for near three years and there were no corrosion whatsoever!!!

Anyone wishes to strip some Shyniata or Siltech out here?

I also stand for component manufacturers that stand for their product(where they realy put labor) able to proove that their components sound equally to the listener with ANY type of interconnects or speaker wires and believe me there are such and many of us after my post can write them bellow...

I'm an electronics technician, not an engineer. But I do work with some engineers. I brought some ads from some audio magazines to them, and let them look at some for some interconnects and power cords. They were all astounded that anyone could possibly believe this nonsense. The characteristics of any wire can be measured, and in fact has to be for industrial use. The right wire is critical for industrial applications. But what blew them away was a power cord that cost almost a grand, that could be gotten from digi-key for $3. Perhaps Penn & Teller should do a show about this stuff.

What? You mean the Emperor has no clothes?

Try listening to (and with) your ears rather than to your friends, engineers or not. I have a physicist friend who was fully convinced that my weird wires (Omega Mikro, Mapleshade) didn't make sense. He still feels that way but agrees that they do make music, better than he's ever heard it reproduced.